Spider-Man

Year in Review: Superhero Comics double down

The New 52 hits comics stands

Much of this year was a struggle for most of the comics industry, but it seemed particularly apparent in the primary publishers of American superhero comic books, Marvel Comics and DC Comics. Those two publishers also comprise about 75% of the comic book market, as tracked through North American comic book stores, so if they’re struggling, the entire industry struggles. For the first 3/4 of 2010, sales at comic book stores drifted away.

Some retailers began to complain that Marvel and DC weren’t providing any big high profile comics to bring readers in. Through much of the 2000s, both publishers had released big summer events that consumed much of their respective lines. These big crossover events, like DC’s Identity Crisis (2004) and Marvel’s Civil War (2006), garnered some headlines from mainstream media and definitely got fans talking. Most important, it got them buying. Soon, much of their publishing strategies were built around the next event, with comics devoted to teasers, prequels, accompanying mini-series, spin-offs, sequels and so forth. It got to the point where it would literally cost one or two hundred dollars to get every issue that was part of one single event, if one was that much of a compulsive completionist (and let’s face it, plenty of superhero fans are just that). Toward the end of the 2000s, readers started to complain of what became called “event fatigue”. The never-ending cycle of an earth-shattering, teeth-gnashing crisis leading right into the next bleak crisis was losing appeal. So DC and Marvel took a break from them, although they kept publishing smaller more contained mini-events. Unfortunately, with a few exceptions, they didn’t replace these sales magnets with compelling comics that would bring readers back (or, to dream the impossible dream, bring new readers in).

So to answer retailers’ concerns, instead of innovating, they returned to the same trick: big line-wide crossover events. Unfortunately it didn’t work this time. Marvel’s Fear Itself and DC’s Flashpoint were largely met with lukewarm sales and reviews this summer. Meanwhile, Hollywood was showing that it could actually do halfway decent superhero stories, certainly more accessible, entertaining and populist than their current comics counterparts. All summer long, big screen audiences were hit by Thor, X-Men: First Class and Captain America: The First Avenger, with no compelling reason to carry any interest in the characters to comic book stores. Even DC Comics’ valiant promotion of rolling back or holding cover prices at $2.99, instead of the increasingly common and excessive $3.99, didn’t do much to turn losses around.

So it finally became clear something truly big had to be done. Waving arms around yelling “hey look!” in the traditional fashion didn’t get anyone to really notice or care, so it was time to bring back the old stand-by of adding in a hearty table flip. Just after their Flashpoint crossover had started, DC Comics announced that their entire superhero universe would be (sorta) reborn. Every series would be cancelled and an entirely new line-up of 52 comics would start over the next month. In many ways, it’s the mother of all events, and similar to a move DC Comics made in 1985 with Crisis on Infinite Earths, where their entire universe was reset for the first time. The difference this time is that there would be a clean break. Starting August 31, every DC Universe comic book was set back to issue #1, with updated costumes and streamlined origin to create a younger, hipper world of superheroes. The New 52 got a lot of press. DC’s chief executives and architects went on an aggressive tour of comic book stores to win over support of the massive gamble. They offered retailers great incentives and the ability to return unsold comics. They did interviews for radio, TV, newspapers, websites. They made TV commercials that airing on cable networks, played before movie trailers and streamed online. Yes, they did something almost unprecedented: they did real marketing to people outside of the current comics reading habit. Letting people know that something they might like exists is a foreign concept to most comic book publishers, but somehow it worked. Sales have been great. In many cases, sales of relaunched books doubled the first month of the launch. DC Comics’ market share jumped to make them the #1 comics publisher of North America for the last quarter of 2011, after at least a decade of being #2 to Marvel. Some other publishers have even reported improved sales for their own unrelated comics as a possible side effect of the New 52.

Miles Morales stars in Ultimate Comics Spider-Man #1

So the industry is saved, right? Well… not quite. Reviews have been mixed, the consensus seems to be that some books are good, some are OK, some are bad. There are concerns over excessive violence and objective depictions of females, just as there were before the relaunch. After five months, retailers are already seeing sales settling back down to how their stores were selling DC books before the New 52 launch. Unfortunately that has historically been the pattern with events. Initial enthusiasm reflects in temporary sales bumps. But without  sustaining quality that speaks to larger audiences, it’s always temporary until the next big event needs to be concocted.

While Marvel hasn’t done something quite as aggressive relaunching their entire line, they have been making changes, amid a series of layoffs and cutbacks. Probably their highest profile move was their new Spider-Man, the multi-racial Miles Morales, in their Ultimate Comics imprint, also first announced in USA Today. They’ve also announced plans to release in 2012 a new line of original graphic novels updating the origins of their most popular characters. Previously swearing that original graphic novels just didn’t make financial sense to them, the move is presumed to be a response to DC’s successful Superman: Earth Oneoriginal graphic novel, released in 2010.

Both Marvel and DC also stepped up their schedules in releasing digital comics. DC announced they would release their comics on the web and mobile devices the same day their print comics are released in comic book stores the same day their New 52 began, August 31. Marvel has been slowly rolling out a similar strategy instead of a line-wide shift all at once. They announced to Gizmodo in November that by March 2012, all of their titles would be on a simultaneous digital/print release schedule (excluding licensed comics and their mature MAX imprint). Marvel was the first of the two to experiment with this kind of release. Comic shop owners have been nervous about digital stealing away customers, and their vocal protests is believed to be the reason for the staggered pricing schedule that has become standard for day-and-date digital releases. For digital comics released the same time as their print counterpart, their price will match the print version’s cover price (typically between $2.99 and $3.99). After a month, the price drops to $1.99. Both Marvel and DC tend to have sales that drop some prices to $0.99, and some issues are available for free.

Did DC’s New 52 just stall the inevitable? How will Marvel respond to regain their lost market share? How will retailers who rely on superhero comics deal with digital comics? 2012 will be an interesting year.

Stan Lee: Real vs. Fake

After the last two days, I think we need something to lighten things up before we head off to the Thanksgiving weekend.

If someone thinks about comic books long enough to consider that people actually make them, that person is probably aware of Stan Lee. The head editor and face of Marvel Comics in the 1960s, Stan “The Man” Lee helped plot and script nearly the entirety of Marvel’s then growing line of groundbreaking superhero comic books. He also either helped write or oversaw the western, romance, suspense, humor, war and other comics back when Marvel wasn’t primarily limited to one genre. He was also an innovator in fan interaction for the comics world of the time, taking on a carnival barker persona that remains to this day. While he hasn’t been involved in Marvel’s day-to-day operations for a long time, he’s still thought of as the guy who created the Marvel Universe, even if that title almost completely ignores the contributions of the brilliant artists working at Marvel at the time (most significantly Jack Kirby and Steve Ditko). Despite the controversies and legal issues of who really created Spider-Man and the Fantastic Four and all the others, and to what extent, Stan Lee remains a beloved public figure of Marvel and a legendary force of goodwill and visibility for comics in general.

These days, he remains as active as ever with his POW! Entertainment, where he’s provided concepts for a mini-line of superhero comics published by BOOM! Studios, superhero characters for the NHL, manga, and countless other projects, along with a first look deal with Disney and other production partnerships. (But not Stripperella. Nobody had anything to do with Stripperella.) And on the side, he makes cameos in Marvel Studios’ films:

To expand his Twitter and Facebook presence, Stan Lee is getting ready to launch TheRealStanLee.com, which is going to be a community-focused site. Here’s the promotional video that was released yesterday:

And thus we get to the real point of me posting all of this. Included in the above video is a clip of Stan Lee meeting The Fake Stan Lee. Played by cartoonist/improviser Kevin McShane, the Fake Stan Lee hits the right balance of playful tribute and pointed satire. For a few years now, McShane has been posting funny videos of himself as Stan Lee attending comic book conventions and interacting with attendants unabashedly being Stan Lee. And if you don’t know what that means, you got a glimpse at the above video. Now check out the below two videos. The first includes the two Stans meeting at the 2010 San Diego Comic-Con.

And they had another showdown in last year’s Comic-Con:

For more Fake Stan Lee videos, check out his YouTube channel.

Marvel Comics and the Elusive Minority Demographic

Miles Morales is Spider-Man

Miles Morales is Spider-Man (art by Sara Pichelli)

While DC Comics is working through a gender controversy, Marvel Comics has taken a step forward in representing racial minorities in their super-hero comic books. On Tuesday it was announced in USA Today that Spider-Man would now be a half-black, half-Hispanic teen named Miles Morales (right).

The story is not being told in Marvel’s flagship Amazing Spider-Man (where Peter Parker is still swinging through New York City, white as ever), but instead in Ultimate Comics Spider-Man, which starts with a new issue #1 by writer Brian Michael Bendis and artist Sara Pichelli (yes DC, a woman!) in September. The Ultimate Comics imprint is set in a younger alternate universe, apart from the bulk of Marvel’s comics. Since the licensability of Marvel’s big characters, which date back to the 1960s and ’70s (and some to 1939), is dutifully protected in Marvel’s main line of comics, the Ultimate Universe allows creators just a bit more leeway. This is easily the best example of that leeway, and could be a refreshing signal of things to come for that imprint.

The first appearance of Miles Morales as Spider-Man is in the just-released Ultimate Comics Fallout #4, which itself spun out of the recent “Death of Spider-Man” story.

Bendis told USA Today, “Even though there’s some amazing African-American and minority characters bouncing around in all the superhero universes, it’s still crazy lopsided.”

He’s right, but this helps. Of course there have been plenty of foolish reactions, from anonymous internet posters trying not to sound too racist to Glenn Beck‘s weird conspiracy theory. Fortunately, cooler heads prevail, and have been celebrating what was unthinkable even five years ago. Why unthinkable? Because comic books with black leads have historically been a tough sell. The Black Panther, comics’ first headlining black hero, has had intermittent series since his debut in 1966. Todd McFarlane’s Spawn is the only comic book series to star a black or African-American in the starring role to last so long (although Al Simmons was replaced with the white Jim Downing last year). Heidi MacDonald at The Beat explores this issue and more in this well-written piece.

Free Comic Book Day 2011 is this Saturday

Do you want FREE comics? You’re in luck! This Saturday, May 7, is Free Comic Book Day!

After enjoying the new Marvel Studios movie Thor opening this Friday, head out to your local participating comic book shop and get yourself some all-new comics for absolutely nothing. It’s a great way to discover comics for the first time, get back in to them if it’s been a while, or just celebrate the American art form of comics! (It’s also a great way to prepare yourself for the other big comic book movies this summer: Priest (May 13), X-Men: First Class (June 3), Green Lantern (June 17), Captain America (July 22), and Cowboys & Aliens (July 29).)

You can get exclusive comic books made just for Free Comic Book Day featuring the Amazing Spider-Man, Avatar the Last Airbender, Star Wars: Clone Wars, Green Lantern, Betty & Veronica, Darkwing Duck, Kung Fu Panda, Richie Rich, the Dark Crystal, the Simpsons, Captain America, Thor, Inspector Gadget, Sonic the Hedgehog, the Tick, Mickey Mouse, Young Justice, Batman: the Brave & the Bold, and so many more. See here for a complete list of free comics available at participating stores.

Lots of stores are also holding special sales and events including signings with comics creators.

Locally, comic stores all around Los Angeles County will be celebrating with free comic books, discounted comics and graphic novels, guest appearances by comic book artists and writers, and more! Additional announcements will probably be announced this week, so keep your eye on your favorite store’s website or Facebook page.

Some stores have really pulled out all of the stops:

Golden Apple on Melrose will be open an hour earlier than normal for the big day. Starting right at 10 AM, there will be comics creators giving free autographs and sketches all day, plus 20% off everything, free Lipton Brisk Green Lantern tea & hot dogs, free Priest movie stuff, a bounce house for kids (!) and more! Creators signing: 10 AM – Top Cow Productions president Matt Hawkins, writer Jeff Cahn (Red Spike), writer Owen Weisman (Samurai’s Blood) and cartoonist/animator Scott Shaw! (The Flintstones, Simpsons Comics); 12 noon: actor/writer Walter Koenig (Things to Come); 2 PM – writer Robert Kirkman (The Walking Dead, Super Dinosaur) and artist Jason Howard (Super Dinosaur); 4 PM – writer Marc Andreyko (True Blood: Tainted Love, Let Met In: Crossroads), and writers Brian McCarthy & Michael Lent (Brimstone).

At Earth-2 Comics both store locations will have plenty to do, like free sketches from 10 AM to 12 noon by Todd Brocasso Harris (in Sherman Oaks) and Justin Rodrigues (Northridge). Then from 12 noon to 2 PM, writer and DC Comics Chief Creative Officer Geoff Johns (Green Lantern, The Flash), and writer and Executive Vice President of Marvel Television Jeph Loeb (Batman: Hush, Spider-Man: Blue) will be available for autographs in Sherman Oaks. The two will be at the Northridge location from 3 to 5 PM. The store will also have an Earth-2 exclusive Green Lantern comic.

Free Comic Book Day 2011 (by Darwyn Cooke)

Meltdown Comics will be holding amazing special events all day long! From 11 AM to 3 PM, including a free screening of Jim Henson‘s classic movie The Dark Crystal and life-sized Skeksis statues used in the original 1982 movie! Writer Brian Holguin, who wrote a new Dark Crystal story in the free comic book flip book released for Free Comic Book Day, will be on hand for autographs, as will David Petersen, writer/illustrator of Mouse Guard, which makes up the second half of the flip book. Plus free posters, prizes, giveaways, and gourmet grilled cheese from The Grilled Cheese Truck. At the same time, from 11 AM to 2 PM, Jason JFish Fischer of Studio JFish will be present to sell his new underground comics, the adults only Junqueland #1, art anthology Fine Literature #2, and fantasy/adventure Jaephisch and the Dark Rainbow Chapters 1 & 2. At 1 PM, Shane and Chris Houghton, creators of the all-ages comic Reed Gunther, will hold a comics creating class just for kids. From 2:00 – 3:30 PM, writers Jeff Cahn (Red Spike) and Owen Weisman (Samurai’s Blood) of Benaroya Publishing will be signing. Finally, at 4 PM in the Meltdown Gallery, there will be a Graphic Noir panel with writer Joshua Hale Fialkov (Echoes, Tumor) and writer/artist Kody Chamberlain (Sweets, Punks: The Comic), as they discuss their creative processes and influences, followed by a brief signing.

Burbank’s House of Secrets will be going all day long, from 11 AM to 7 PM. From 12 noon to 2 PM, they’ll have Tom Kenny, the voice of SpongeBob SquarePants and Sherm Cohen, cover artist of the new SpongeBob Comics.

The Comic Bug in Hermosa Beach has a ton of creators lined up, scheduled for 12 noon to 3 PM giving free sketches and autographs in addition to huge sales and live super-heroes for photo ops. Their line-up will include writer/artist Mike Mignola (Hellboy, Baltimore), writer Steve Niles (30 Days of Night, Criminal Macabre), TV & comics writer Christopher Yost (Avengers: Earth’s Mightiest Heroes, New X-Men), writer Joshua Williamson (Fractured Fables, Yo Gabba Gabba Comic Book Time), writer/letterer Richard Starkings (Elephantmen), animator/artist Phil Ortiz (The Simpsons), Jeff Stokely (Fraggle Rock) and lots more. Artist Joe Benitez (Lady Mechanika) will be there 3 – 5 PM.

Collector’s Paradise Comics & Gallery in Winnetka has a full day of events planned, including featured guests like Whilce Portacio (Wetworks, Artifacts), Tomm Coker (Undying Love, Daredevil Noir), Joshua Fialkov (Tumor, Echoes) and a lot more giving autographs and/or sketches to raise money for the non-profit organization The Hero Initiative from 12 noon to 3 PM. Plus the store will be having its biggest sale of the year, costumed superhero characters, and the Calbi gourmet food truck.

Read more on the history of Free Comic Book Day… (more…)

Random Observations of Amazing Fantasy #15 – The Origin of Spider-Man

Amazing Fantasy #15 by Stan Lee & Steve Ditko (click to read issue at Marvel.com)

I closely re-read Amazing Fantasy #15 recently, as reprinted in Marvel Masterworks: The Amazing Spider-Man Volume 1 by Stan Lee and Steve Ditko. This is the very first appearance of the amazing Spider-Man, as he appeared in the final issue of a weird little anthology previously titled Amazing Adult Fantasy.

Cover dated August 1962, the issue was plotted by Stan Lee and Steve Ditko, scripted by Stan Lee, illustrated by Steve Ditko, probably colored by Stan Goldberg, and lettered by Art Simek. The cover was illustrated by Jack Kirby and Steve Ditko, and colored by Stan Goldberg. In this reprint edition, art and color reconstruction was done by Michael Kelleher and Kellustration.

A lot has been written about this issue but I’d like to just post some of the random thoughts that popped into my head as I was reading this. A lot of it silly and trivial but not all of it and I don’t see many people specifically pointing this stuff out too often. If you’ve got a copy of the issue, follow along at home. It’s a fun issue and a great origin story told in a compact 11 pages. They really don’t make ’em like this anymore. You can buy the Marvel Masterworks reprint on Amazon or read the issue online at Marvel.com.

Random Observations:

Cover:

  • How did I ever not notice those big thick white motion lines on the cover?
  • I always thought it was funny that one of the cover blurbs was announcing a special message from the editor. As though this is an exciting sales pitch to people browsing the comic book section of the newsstands. Never mind the stories, this comic has a letter!

Part 1:

  • Page 1: Spider Man, Spider-Man, Spiderman – which is it?! (YES, IT MATTERS!!!) It would actually take a couple of issues of Amazing Spider-Man before they settled on the middle one.
  • Page 2: “Wheatcakes”? That sounds kinda gross. Or maybe just really bland.
  • Page 3: Scientists are just as obnoxious as the high school cool kids crowd, it turns out.
  • Page 3: The radioactive spider-bite caused Peter’s fingertips to turn yellow for a while?
  • Page 3: His tingling spider-sense does not go off here or in this issue at all.
  • Page 4-5: Crusher Hogan enjoys his work. That is the happiest wrestler I’ve ever seen.
  • Page 5: What is Peter using for his first mask? Fishnets maybe?
  • Page 5-6: Nameless TV producer has an awesome hat.
  • Page 6: Did they really have majors in high school in the early ’60s?
  • Page 6: I’m going to pretend that a prototype for his web fluid was being made in the earlier scene of Peter with a teacher in the school science lab. Because him just whipping it up on his own in an afternoon is too much for me. (And yet I’m totally fine accepting that a spider bite causes someone to stick to walls. I’m not saying these observations make any sense.)
  • Page 6: Maybe Peter also minored in home ec so he could make his costume.

Part 2:

  • Page 7: Quiet on the set, Mr. Camera Man! Geez. And get back behind the camera.
  • Page 7: I’m not real clear what Spider-Man’s stunt is here. Webbing a candle that’s sitting on a pendulum?
  • Page 7: Now the TV producer from the previous scene is yelling cut as though he’s the director?! I assume this isn’t the set of The Ed Sullivan Show, as mentioned on the previous page, because this production is a mess. Is there even an actual director on set?
  • Page 8: Yes that’s right. A high-speed express elevator for a TV studio in the 1960s. Totally standard.
  • Page 8: After being rejected by the kids at high school and his scientist “friends,” Peter declares his sole loyalty to his Uncle Ben and Aunt May, the only people he feels has ever cared about him. “I’ll see to it that they’re always happy, but the rest of the world can go hang for all I care!” This after they give him a new microscope he’s wanted, so maybe a tad materialistic of him but they are very loving elsewhere. He’ll soon discover that this kind of petty isolationism comes with a price.
  • Page 8-9: I wonder if the police officer in the TV studio is related to the police officer outside his house days later. Brother maybe?
  • Page 9: Speaking of that cop, nice tact there. “Bad news, son – your uncle has been shot – murdered!” And then proceeds to tell Peter precisely where to go to exact revenge from the burglar. So fired. (No actually, it looks like he whisks himself off to the warehouse for the story’s climax, where he is revealed to be the captain and commanding officer on the scene. Or the brothers are triplets.)
  • This is really an overall note for the whole issue, but Steve Ditko draws the most awesome and unique faces. Every character, no matter how minor, has their own personality. Even the older police officer and security guard, while similar looking, have different eye brows and profiles.
  • Page 10: Spider-Man’s first night time web-slinging! Whee!
  • Page 11: In times of great stress, Peter Parker’s pupils become so pronounced, they can be seen through his mask. Like the glowing fingers, another side effect of the irradiated spider bite that faded away. Naturally.
  • Page 11: Captain Fired is about to order his men to rush the warehouse, where the burglar would have surely gone down in a blaze of glory, taking as many police officers as he could shoot with him. Interesting that Spider-Man probably saved the lives of several police officers, but with the emotional state he’s in he’s probably never realized that.
  • Page 11: “… with great power there must also come — great responsibility!” This phrase eventually becomes the guiding principle of Peter’s life. It’s later credited to Uncle Ben, but he never actually says it in this story. It’s also worth noting the dash, and the “must also”, both usually left out when quoted today.

Announcement from the Editor:

  • Page 12: The story has always been that Spider-Man appeared in this issue because they knew it was the final issue of Amazing Fantasy, so there wasn’t much risk to try out a new character. But this editorial letter to the readers makes it clear that when this issue went to press, they thought there would be more issues of the series. The new editorial policy, which includes a change of format and a slight title change from Amazing Adult Fantasy, is laid out. And “Spiderman” will appear every month. Stan Lee has told the story that he tells in his introduction to Marvel Masterworks: The Amazing Spider-Man Vol. 1 tons of times. He’s also admitted to having a terrible memory and re-telling stories that sound good but may not even be true. Turns out this is one of them.
  • Page 12: It’s also neat that they would have a scorecard of which stories in each issue of Amazing (Adult) Fantasy were most liked. (The comic was an anthology, so multiple stories appeared in each issue.) It’s amazing that they had 300 votes for the favorite story from the previous issue. 300+ fans were involved enough to mail letters and this was a comic on the verge of cancellation. It’s not specified, but the stories are from Amazing Adult Fantasy #12 due to the lag time from mailing and printing.
  • Page 12: If you want to read the scorecard winner, the 3-page story “Something Fantastic” from Amazing Adult Fantasy #12 was included in the 2005 collection Marvel Visionaries: Steve Ditko. [Amazon link]

Have any observations, random or otherwise? Questions about the issue? Post them below!

Interview: Stan Goldberg

Archie Marries... (click to buy from publisher Abrams ComicArts)

Speaking with comics artist Stan Goldberg was an honor, and I’m very grateful for his generosity with his time. I definitely did not expect this to go 45 minutes but he had a lot to share, and it’s worth it to hear him talk about all of this. His love for his work comes across quickly. He really loves what he does. It’s clear that this is a man still enjoying and exploring his craft and the process of storytelling despite already being a master at it.

I was also struck with how unfortunate it is for someone who has lived and breathed the Archie characters for the last 40 years, who has been the artist on their most commercially successful and buzz worthy books (for good reason), now finds himself with some uncertainty. Fortunately he’s still immensely talented. His abilities not only haven’t diminished, but may be stronger than ever. And he remained classy throughout, with not a bad word to say about his former employers. Already plans are in the works for the next phase of his career, and that to me is exciting. With over 60 years in the biz, he still has a lot of creativity to give.

Here’s the audio of our interview:

MP3 Download

Here’s a breakdown of what he talked about:

  • His 40-year career with Archie Comics, characters he clearly loves and respects, and his recent departure from the company.
  • Creating the color designs for Spider-Man, the Fantastic Four (the Thing is colored like “a wrinkled orange”), the Hulk (his pants were meant to be magenta, not purple), and the rest of the Marvel Comics universe, including the villains like Dr. Doom.
  • Being asked by Marvel to draw the Fantastic Four 50 years after coloring the first issue in 1961.
  • His work being reprinted in prestige hard cover books: Archie: The Best of Stan Goldberg [Amazon link] and Archie Marries… [Amazon link]
  • Being mentored by Stan Lee the art director in the ’50s
  • Using the Marvel Method for Millie the Model
  • Creating Kathy the Teenage Tornado (reprint this, Marvel!)
  • On the comics industry during the Senate hearings of the 1950s and the industry’s response: “It almost destroyed the whole industry.” He says the Comics Code Authority, the industry’s content watchdog, went overboard: “They made some corrections, but I guess they had to show what they were then getting paid for.” Marvel even lost their distributor for a time, which resulted in Stan having to go freelance.
  • His work on Millie the Model influencing women in fashion design and magazines like Cosmopolitan, McCall’s and others.
  • Collaborating with Michael Uslan on last year’s “Archie Marries…” story starting in Archie #600, which sold 50% better than Marvel & DC comic books at the time. His pure penciled artwork for the covers of those six issues was reprinted in IDW’s recent Archie: The Best of Stan Goldberg
  • The story of the surprise debut of Archie Meets Punisher and the plans for a sequel that never came to be.
  • And perhaps most exciting of all… teasing a future project he’s creating with a writer.

Archie: The Best of Stan Goldberg (click to buy from publisher IDW)

(Also a cameo by my cat Cleo climbing up the back of my chair if you listen carefully. I should also apologize for the volume disparity between his voice and mine. Fortunately once we get started, it’s mostly him. Ah the joys of technology. I’ll try to work that out for the next interview.)

FF #1 variant cover by Goldberg (50th Anniversary of Fantastic Four #1, Marvel Comics)

Make your own comics at Marvel.com – like this one but probably better

My comedic genius at work. Click image for higher quality version at Marvel.com

Hey, look what I made!

Marvel.com has a fun little program where you can create your own comic strips and comic books using clip art. It’s kind of a limited selection but it’s plenty to tinker around. I’m sure younger kids would have fun playing around with it and sort of learning how comics are made (more or less). You can pick Marvel characters like the three I picked above, as well as the X-Men’s Wolverine, Beast and Colossus, the Fantastic Four, the Hulk, a few villains, and more. You can choose your panel layouts, pick your backgrounds, speech balloons, type in your own dialogue, and add sound effects.

If you sign up with an account, you can build a portfolio, save the comics at Marvel.com, save them to your computer as PDFs, and email them to friends. Marvel.com apparently saves all of them on their website. There’s a gallery here where you can see some fun comics posted, although it doesn’t look like they display ones created without setting up an account since I don’t see mine there. Other users can rate and leave comments for each comic.

I don’t know when this was added but it’s a fun feature. Maybe I’ll torture you with more of these.