Superman

Comic Books Have Heart: Hero Initiative Raises Money for Creators in Need

You might not think it, but the comics community has a big heart. One great example is The Hero Initiative, a Los Angeles-based charity that raises money for creators who are in dire straits (not the band but the financial situation). Here’s a video I put together of a special event held at Meltdown Comics this past Saturday night.

For you savvy comics folks, that’s writer Mark Waid of Kingdom Come fame yelling out “you’ve made a powerless enemy”. He and producer Tom DeSanto were probably the most generous bidders. Mike Malve of Epic Digital Media was the winner of the Alex Ross cover in the video above. The entire night raised about $15,000 for The Hero Initiative.

How Much Would You Pay for Superman?

Check to buy Superman (March 1, 1938)

How does $130 sound?

That’s what publisher Jack Liebowitz paid to own all of the rights to the character in 1938. Pretty good deal.

Above is the actual check received by Superman creators Jerry Siegel and Joe Shuster to buy their new Superman character outright. The check is dated March 1, 1938, and also includes payment for work by the creative partners appearing in comics cover-dated June 1938: $210 for stories appearing in Detective Comics #16 (21 pages in the publisher’s flagship book at the time), and $36 each for work in More Fun Comics and New Adventure Comics (probably issues #32 and #27, respectively). The total comes to $412. Noticeably absent is payment for their work in Action Comics #1, also cover-dated June 1938, although it’s possible that the $130 payment includes both the rights to Superman and compensation for their writing and illustrating the story.

The check is going to auction next year at ComicConnect. On Monday, it was posted to Twitter by Gerry Duggan (writer of The Infinite Horizon and fellow Emerson grad), where it immediately spread like wildfire among the comics community.

Andy Khouri of Comics Alliance has a great write-up that covers the historical significance of this check resurfacing after being assumed lost for decades. It is the beginning of a long and depressing narrative of the fight for creator rights and fair compensation in comics, and the complex series of ugly legal battles between DC Comics and the families of Siegel and Shuster that continues to this day. In 2008, the Siegel Estate was awarded half of the copyright to Superman as he appeared in his earliest comics and newspaper strips, but that ruling is currently being appealed. The Shuster Estate may be able regain its portion of the copyright in 2013. (In what maybe should have been a red flag of the troubles ahead, both Siegel and Shuster’s names on the check were misspelled by Liebowitz.)

The check was also used as evidence in the first comic book copyright lawsuit, Detective Comics, Inc. v. Bruns Publications, Inc. In 1939, Detective Comics sued Bruns regarding the latter’s Wonder Man character, which DC claimed infringed on Superman due to the likeness of their powers. That case was found in DC’s favor, establishing a precedent that led to the more popular Captain Marvel getting similarly squashed 11 years later. These cases allowed Marvel Comics to use both of these names in the 1960s and ’70s without any opposition. It also resulted in the British license of the original Captain Marvel to be reinvented as Marvelman by Mick Anglo in 1952, which is the beginning of a whole other epic battle of legal entanglements that only recently got cleared up (allegedly).

(Hat tip to Scott Shaw!)

Everyone Back to 1: Thoughts and Theories on DC Comics relaunching superhero comics synched with digital initiative

Justice League #1 by Geoff Johns & Jim Lee (DC Comics) - Hitting the cosmic reset button

In a bold gamble, DC Comics announced yesterday at their own blog The Source, USA Today (part 1 and part 2), and a letter to comic retailers that they would be replacing all of their long-running superhero comic books with relaunched stories starting over at issue #1. Each issue will be released digitally across DC Comics’ multiple platforms the same day as the print version’s release, a major shift in policy that was protecting comic shops from digital competition.

Digital comics provider Comixology has confirmed via Twitter that it will be continuing their partnership with DC Comics on this new digital initiative. New issues will appear simultaneously on Apple’s iOS (iPad, iPhone, iPod Touch), the Android and their web-based DC Store, although exact pricing has not been revealed. Digital comics are generally priced at $1.99 for a standard comic book that’s been converted to their guided view digital form. Past experiments with day-and-date releases have been priced at the higher cover price of print comics, usually $2.99.

As for the books themselves, exact details of what’s changing, what’s staying the same, and who will be working on what books, are slim. More will be revealed throughout June.

What is known is that starting August 31, 2011, a brand new Justice League #1 will be released. The following weeks, it will be joined by relaunched Superman, Batman, Wonder Woman and other titles. In total, DC Comics will debut 52 comic books, approximately 13 a week! The stories will feature younger versions of their recognizable heroes, redesigned by artist and DC Comics Co-Publisher Jim Lee, and are meant to be ideal for new readers.

Justice League will be helmed by Lee and DC Comics Chief Creative Officer/writer Geoff Johns. Both Lee and Johns are responsible for a lot of popular titles from DC, so it seems only natural to team them up for the comic about their premiere superhero team.

Comic Book Resources has rumors on other titles, including Superman being written by Grant Morrison, an award-winning and critically acclaimed writer that has been shepherding Batman for the last several years. He wrote All-Star Superman, a quintessential take on the iconic character, to nearly universal acclaim in 2005-2008. A previously announced new Aquaman series by Geoff Johns and artist Ivan Reis is also expected to be part of the new universe. The two had previously collaborated on successful Green Lantern stories, including the big Blackest Night event.

The question of course: Will this work? (more…)

Learn to read comics with fan-made Power Records videos

As I’ve mentioned in the past, not everyone takes to the language of sequential art instantly. Some need to ease into it. One possible solution probably isn’t really a solution at all, but it makes for a unique way to read some early comic books.

In the 1970s, Power Records released a series of vinyl 45’s of a fully produced performance of comic book stories, complete with voice actors, sound effects and music. A couple of years ago, a crafty YouTube user, noielmucus, put these recordings to an edited presentation of each issue included with each record so that the dialogue and captions being spoken appear on screen. A great way for kids to read along. The pacing is kind of slow for today’s audiences and some voices are just plain weird (like the weird sped up effect on Mr. Fantastic’s voice when he uses his powers) but others are actually quite good. It definitely makes for a fun curiosity.

The Marvel Comics records gave a performance of three classic issues, so it’s a unique way to experience these stories of the origin of the Fantastic Four and the Incredible Hulk, and one of the earliest adventures of Spider-Man. But the DC Comics ones appear to be original stories made just for these records (although I can’t identify the creators). They feature Superman against the inter-dimensional imp Mxyptlk, the Joker making his own utility belt to fight Batman and Robin, and more complete silliness.

Apparently this collection of 10 are just the tip of the iceberg. Over 90 LP records and 45-rpm singles were created. A modern version of these for young readers might be worth looking into by some enterprising company. (If you need any voice-actors, let me know.)

Amazing Spider-Man #1 by Stan Lee and Steve Ditko (1963) parts 1-5

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Happy Valentine’s Day

I’m busy pitching woo with the one I love, so to tide you over here are a bunch of comics or semi-comics pictures celebrating love and the Holiday That Hallmark Built. Enjoy!

Lois Lane debuts with Superman in Action Comics #1 by Jerry Siegel and Joe Shuster, June 1938. Clark Kent pines for Lois but she only has eyes for the Man of Steel. And the superhero genre's psychological issues with identity and romance are off and running.

Archie Comics #3, Summer 1942, art by Harry Sahle features one of comics' classic love triangles. Will Archie choose Betty or Veronica?

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Copyrights and comics

As a preview to their upcoming Comic Book Comics #5 by Fred Van Lente and Ryan Dunlavey, Evil Twin Comics has posted a 6-page excerpt titled “The Grabbers”. It does an excellent job encapsulating and presenting copyright law and how it has effected the history of comic books. The piece focuses on Superman, so this is a great prequel to that BBC Superman documentary where we see Superman’s creators Jerry Siegel and Joe Shuster a few years after the events depicted at the end of this comic.

The comic also covers the legal shenanigans involving Bob Kane (Batman co-creator), Bill Finger (Batman, Robin and Joker co-creator), Jerry Robinson (Robin and Joker co-creator), Joe Simon (Captain America co-creator), and Jack Kirby (co-creator of Captain America and half of the rest of the Marvel Comics superhero universe).

What’s amazing (and kind of sad) is that a lot of these legal battles are still being fought.

BBC doc: The Comic Strip Hero (1981)

In 1981, coinciding with the UK release of Superman II starring Christopher Reeve and Gene Hackman, the BBC television series Arena broadcast this great documentary about the origins of Superman and the comics industry in general.

Plenty of good stuff here:

  • great interviews with Superman creators Jerry Siegel and Joe Shuster
  • a look inside the early ’80s offices of DC Comics with then-president Sol Harrison
  • footage of Will Eisner teaching art students who debate whether superheroes are played out
  • a pre-Maus interview with Art Spiegelman (with a GIGANTIC mustache)
  • the wonderful Trina Robbins
  • a young and charming Christopher Reeve
  • Kirk Alyn, the first actor to portray the Man of Steel, telling stories of making the Superman movie serials
  • a sputtering Fredric Wertham insisting comic books are evil, linking Superman to Nazi Germany
  • some hilarious interviews with a sci-fi guy pointing out the lack of hard science in Superman (you think?) and what would need to happen for Clark Kent and Louis Lane to have a baby (!)
  • a little kid with every licensed Superman product imaginable
  • and a frightening final moment with preserved Superman birthday cake.

It’s important to note how much the comics industry has changed since then. This is before Watchmen and The Dark Knight Returns, two superhero stories that injected new life into the genre. This was before the publication of Maus, which went on to win a Pulitzer Prize and burst open the preconceived limitations of the medium to a lot of mainstream observers. This is before comic books could be found in bookstores, before manga was introduced to US readers. Before Hollywood’s technology became affordable enough and halfway convincing enough to pull off the special effects depicted in comics. (This was almost 30 years ago?! How?!)

Click through to watch all 5 parts through the power of YouTube: (more…)

Hammer Museum celebrates 75 years of DC Comics

Hammer Museum: 75 Years of DC Comics (click for enbiggification)

The Hammer Museum here in LA reached out to let us know about a free event celebrating 75 Years of DC Comics on Tuesday December 14th at 7 PM.

Yes believe it or not, back in 1935 (!), 12 US Presidents ago, way before either Iraq Wars, before the Cold War, the Vietnam War, a few years before World War II and with the country still trying to shake off the Great Depression, a company then called National Allied Publications took a risk by publishing the first comic book of all-original material, New Fun: The Big Comic Magazine. Before then, comics were mostly or entirely made up of recycled newspaper comic strips. It was an uphill venture that initially didn’t pay off until 1938 with the release of Action Comics #1 and the debut of Superman. This was not only a huge hit, but it ended up inventing an entire sub-genre: superheroes. As National Allied changed hands, it’s name evolved to National Periodical Publications and eventually DC Comics and just recently DC Entertainment, named after the home of their second mega-hit Batman from Detective Comics. DC has remained an industry leader since the late 1930s, publishing more world icons like Wonder Woman, Green Lantern, and the Flash to accompany Superman and Batman.

Last month saw the release of a massive retrospective, 75 Years of DC Comics: The Art of Modern Mythmaking, written by former DC Comics president Paul Levitz. (Levitz was among our interviewees for Dig Comics at this year’s Comic-Con in San Diego.) To help in the yearlong celebration, Levitz will be joined at UCLA’s Hammer Museum by current DC executives and creators Jim Lee and Geoff Johns to discuss the history and future of DC. The event will be moderated by comedian Patton Oswalt, who’s no stranger to the world of comic books.

Within its short 75-year lifespan, DC Comics has created and destroyed entire cities, worlds, and universes with a cast of characters that includes the titans of the Superhero world. Comedian, actor, and writer Patton Oswalt will moderate a discussion among DC Comics’ Paul Levitz, Jim Lee, and Geoff Johns, the creative and editorial superheroes behind the pages of Batman, Superman, Wonder Woman, The Flash and Green Lantern, who will discuss the pulp origins of DC Comics’ story lines and characters, as well as the future of digital publishing.

ALL HAMMER PUBLIC PROGRAMS ARE FREE. Tickets are required, and are available at the Billy Wilder Theater Box Office one hour prior to start time. Limit one ticket per person on a first come, first served basis. Hammer members receive priority seating, subject to availability. Reservations not accepted, RSVPs not required.

Parking is available under the museum for $3 after 6:00pm.

While this looks like fun, the really interesting part to me is the inclusion of discussing the future of digital publishing. DC has made some good moves in this area just in the last few months, but it has also sadly shut down its imprint for original webcomics Zuda Comics. Word is that some more bold moves are in the works. I’m not expecting any solid announcements, but I’m hoping there will be some positive discussion to show that they’re ready to push strongly in that direction.

And I’m also unrealistically hoping they’ll pass out free copies of Levitz’ 75 Years of DC Comics to everyone in the audience, Oprah-style.

Two of My Favorite Things

Comic books and singer-songwriters from the late ’60s/early ’70s.

And here, Greg Hatcher was kind enough to put them together in one blog post recalling a funny conversation of several comic book creators and professionals debating Superman’s inclusion in the chorus of Jim Croce‘s hit from 1972, “You Don’t Mess Around with Jim”.

I disagree with the opening statement that the chorus doesn’t make sense, and thus I basically disagree with the entire premise of the conversation, but it’s still very amusing and sounds like approximately a million conversations I’ve had with friends.

Thanks, Greg!

The Birth of Me in Comics

The Comic Book Database, a great resource site, has a cool new feature where you can search comic books by cover date. So, naturally I had to search for comics dated for my birth month and year: February, 1976. Play along at home!

Look out! That Assassin guy is right behind you doing exactly what you thought was impossible!

I can’t imagine it gets much awesomer than this British comic. I wish I was as tough as your boots. (Wait, did you say “Actual size”?!)

I’m not sure what’s more shocking. The Jaws double’s terribly chapped lips? Or Ghost Rider’s flaming skull and the ocean ignoring each other.

OK, I’m detecting a certain aquatic theme, possibly inspired by a certain pop culture-defining film (see: coat tail riders).

Well certainly Batman is too cool to be that lame.

Oh Batman. Really? The Olympics? Sigh…

Surely Marvel is above this kind of cheap pandering.

What in the — ?!

OK, why is Spider-Man dragging a poor innocent girl into this implausibly ridiculous yet dangerous game? Unless the little girl is subbing for the football in this demented version of Not-Soccer. You’d think something this EXTREME would bring in at least a few spectators but it looks like they couldn’t give tickets away to this game.

Later: “Eh, let’s go back to playing regular football.”

So, was it possibly football season when this issue came out?

Oh-ho! It’s funny because it’s sexist!

Oh ho! It’s funny because they have eating disorders.

Come on Captain America, help me out.

Watch out for the phallic-helmeted Trojan Horde! Let’s face it, no one can resist cataclysmic Kirby action.

To be fair, this was from a time when superheroes had to announce their ethnicity in their name. But only if they weren’t white.

Oh. My. God. I have no idea what’s happening or why, but I must have this.

If this issue doesn’t include lyrics and sheet music, I’m writing an angry letter.

Watch the hands, pal.

I understand this was the inspiration for Bill Murray’s Scrooged.

Don’t… look… behind… you. You might need more American flags printed on large sheets of cardboard paper.

Wow, this is crazy!

I think we all see what’s coming.

Dodging is so WILD!

What jerks. Worst friends ever.

Every twin I know has this exact same problem.

Stay back! It looks like someone might actually read this. We don’t stand a chance!

I love it!

This would never get published today. For several reasons.

So… Spider-Man and Storm (from the X-Men) are now thieves who steal from helpless old men? Uh… great.

And finally…

But.. but… I thought they were the same person! OK I admit it. I’m actually intrigued.

And that’s my birth month in comics! Here’s the full list, if you haven’t had enough.

(One thing to note that you may have noticed: Comics have traditionally been dated about 2-3 months in advance of their actual release date in an attempt to lengthen their shelf life, so most of these had probably been released in November or December, 1975. Still, it’s much easier go by cover date than try to determine when each individual comic actually hit stands.)