Archie Marries... (click to buy from publisher Abrams ComicArts)
Speaking with comics artist Stan Goldberg was an honor, and I’m very grateful for his generosity with his time. I definitely did not expect this to go 45 minutes but he had a lot to share, and it’s worth it to hear him talk about all of this. His love for his work comes across quickly. He really loves what he does. It’s clear that this is a man still enjoying and exploring his craft and the process of storytelling despite already being a master at it.
I was also struck with how unfortunate it is for someone who has lived and breathed the Archie characters for the last 40 years, who has been the artist on their most commercially successful and buzz worthy books (for good reason), now finds himself with some uncertainty. Fortunately he’s still immensely talented. His abilities not only haven’t diminished, but may be stronger than ever. And he remained classy throughout, with not a bad word to say about his former employers. Already plans are in the works for the next phase of his career, and that to me is exciting. With over 60 years in the biz, he still has a lot of creativity to give.
His 40-year career with Archie Comics, characters he clearly loves and respects, and his recent departure from the company.
Creating the color designs for Spider-Man, the Fantastic Four (the Thing is colored like “a wrinkled orange”), the Hulk (his pants were meant to be magenta, not purple), and the rest of the Marvel Comics universe, including the villains like Dr. Doom.
Being asked by Marvel to draw the Fantastic Four 50 years after coloring the first issue in 1961.
His work being reprinted in prestige hard cover books: Archie: The Best of Stan Goldberg [Amazon link] and Archie Marries… [Amazon link]
Being mentored by Stan Lee the art director in the ’50s
Using the Marvel Method for Millie the Model
Creating Kathy the Teenage Tornado (reprint this, Marvel!)
On the comics industry during the Senate hearings of the 1950s and the industry’s response: “It almost destroyed the whole industry.” He says the Comics Code Authority, the industry’s content watchdog, went overboard: “They made some corrections, but I guess they had to show what they were then getting paid for.” Marvel even lost their distributor for a time, which resulted in Stan having to go freelance.
His work on Millie the Model influencing women in fashion design and magazines like Cosmopolitan, McCall’s and others.
Collaborating with Michael Uslan on last year’s “Archie Marries…” story starting in Archie #600, which sold 50% better than Marvel & DC comic books at the time. His pure penciled artwork for the covers of those six issues was reprinted in IDW’s recent Archie: The Best of Stan Goldberg
The story of the surprise debut of Archie Meets Punisher and the plans for a sequel that never came to be.
And perhaps most exciting of all… teasing a future project he’s creating with a writer.
Archie: The Best of Stan Goldberg (click to buy from publisher IDW)
(Also a cameo by my cat Cleo climbing up the back of my chair if you listen carefully. I should also apologize for the volume disparity between his voice and mine. Fortunately once we get started, it’s mostly him. Ah the joys of technology. I’ll try to work that out for the next interview.)
FF #1 variant cover by Goldberg (50th Anniversary of Fantastic Four #1, Marvel Comics)
I’m busy pitching woo with the one I love, so to tide you over here are a bunch of comics or semi-comics pictures celebrating love and the Holiday That Hallmark Built. Enjoy!
Lois Lane debuts with Superman in Action Comics #1 by Jerry Siegel and Joe Shuster, June 1938. Clark Kent pines for Lois but she only has eyes for the Man of Steel. And the superhero genre's psychological issues with identity and romance are off and running.
Archie Comics #3, Summer 1942, art by Harry Sahle features one of comics' classic love triangles. Will Archie choose Betty or Veronica?
It wasn’t too long ago that the men and women who gave their blood, sweat and tears to make comic books for you and me weren’t compensated all that well for their time and effort. Aside from a rather stingy page rate, the vast majority of creators had no health insurance, no 401k plan, little to no rights to the work they created, basically no benefits at all. Today it’s a lot better, mostly for those that are lucky enough to work for major publishers. But the truth remains – the artist’s life and the freelancer’s life are risky ones in any industry.
The Hero Initiative, a Los Angeles-based non-profit organization, works to help creators who have fallen on hard times and need some help, whether that be with making rent or covering medical costs. One of their creative fundraising efforts is to work with a publisher to reprint a recently popular comic book with a variant blank cover, and then have comic book artists create one-of-a-kind covers to be auctioned off. An art book of all of the cover sketches is later published. 100% of sales goes to the Hero Initiative to help them maintain safety nets for creators in need.
The awesome image above by Cliff Chiang depicting Archie and the gang as a high school garage band is one of the sketch covers for Archie #600 from Archie Comics. The original version of the issue was published over a year ago as the start of the much-discussed story line by Michael Uslan and Stan Goldberg where Archie finally decides between Betty and Veronica.
To take a look at all 50 covers (they’re all great!), visit HeroInitiative.org. To buy the original artwork and help a good cause, check out the Hero Initiative’s eBay auctions that launched yesterday. Archie Covers: Fifty Times an American Icon collecting and reprinting all 50 covers will be published later in the year.