Incredible Hulk

How the Medical System Screwed Over One Comic Book Creator… and How Comics Tried to Help

Mantlo: A Life in Comics

LifeHealthPro has a lengthy article taken from the November 7th issue of National Underwriter Life & Health Magazine covering the heart-breaking story of comics writer Bill Mantlo. For Marvel Comics, he co-created the super-hero duo Cloak and Dagger, which is currently being developed as a TV series for ABC Family, and the sci-fi oddity Rocket Raccoon. Throughout the 1970s and ’80s, he also wrote Spectacular Spider-Man, Incredible Hulk, Iron Man, over 500 issues total. As the article details, in the early ’90s, he had become a public defense attorney for a non-profit until he was severely injured by a hit and run in 1992. For a moment, it looked like he would have a miraculous recovery, but through a series of bullying and manipulation by his insurance company, he ended up losing the ground he’d regained and getting stuck in what amounts to a nursing home. Bill’s brother Mike Mantlo has been running his affairs since the accident, and as you’ll read, it has not been an easy journey. That might be one of the biggest understatements I’ve ever written. Please read the article.

I reached out to some of the people who have been involved in various fundraisers and also Mike Mantlo to get some additional details.

In communicating with Mike, there were a few points of the article that he felt were inaccurate, and I offered him the opportunity to offer up his side for the public record.

Regarding the contentious selling of Bill’s comic book collection, which served as his archive and research library for his prolific work with Marvel, Mike told me that Bill had sold it prior to the accident. According to Mike, “he himself sold it off around 1986 to finance the cottage”.

As the LifeHealthPro article states, that cottage is another matter of controversy with the family. Mike stated that Bill never owned it outright, but shared ownership in a co-op. “Bill’s ex-wife was given 3 opportunities to assume the debt remaining on the mortgage that Bill bought her out of, but reneged 3 times with the bank.” Mike added, “I was forced to sell it to a friend of another co-op member through a ‘short sale’, just to get the asset off of Bill’s ledger so he could qualify for Medicaid”.

The final point he wanted to make was regarding the life insurance issue. “There was never any $100,000 life insurance policy that was surrendered for cash.” He pointed out that “if there had been, the state would have seized any funds” for Bill’s Medicaid coverage.

In 1994, Mike Mantlo set up a fund to help raise money to cover the ongoing expenses of Bill’s care. Recently writer Greg Pak (Incredible Hulk) wrote a wonderful tribute about Bill Mantlo’s influence on his own writing and included a link to Mike’s fund through PayPal:

I also checked in with Jim McLauchlin of The Hero Initiative. It was somewhat perplexing and disappointing to read in the LifeHealthPro article about The Hero Initiative’s apparent confusion over their own contributions. However, when I briefly spoke with McLauchlin, he said he had provided lots of information for the article. As he recalled to me, his contact with Bill’s brother was initially around 2002 and 2003 when the organization was still very young. This 2009 interview with Mike Mantlo confirms that The Hero Initiative provided the first support of any kind from the industry:

I had to struggle to fight his insurance company from cutting off his benefits, and the comics industry didn’t really step forward until many years later (probably because Bill had left it in the mid-80’s to become a lawyer). It was only when [The Hero Initiative] (comic book professionals support group) was formed in the late 90’s-early 00’s, that any assistance, or (financial) support came through. They deserve a lot of credit, as does Tony Isabella, who’s been the biggest champion of Bill’s throughout this whole ordeal.

The Hero Initiative is a great organization that has done crucial work to provide financial support and employment opportunities for comic book creators in dire need. The structure of the organization requires that requests for funds or assistance comes from the recipient or their family. McLauchlin stated that he hasn’t heard from Michael for about 3 or 4 years. I asked Mike Mantlo about whether he was considering re-approaching The Hero Initiative for additional support, but he said it wasn’t something he was planning on doing.

I will always be indebted to them for their kindness. I do not intend to approach them again, as I feel their mission is to assist all comics industry professionals that are in need, and I know their funds are stretched pretty thin with the many people they help (Ed Hannigan being the latest example that i was aware of). Bill would have wanted these funds shared equally, and I support his wishes in that regard.

Artist Ed Hannigan collaborated with Bill Mantlo on Spectacular Spider-Man and in creating Cloak and Dagger. Below is a video of Hannigan talking about his career, his struggles with multiple sclerosis, and how The Hero Initiative has helped him.

As The Hero Initiative’s Jim McLauchlin expressed to me, Bill’s story is tragic and it is indicative of issues that go beyond him and beyond comics. As health care reform takes full effect in 2014, we’re likely to see more of this topic on the national stage.

Mike Mantlo isn’t the only one remembering Bill. Over a year ago, Bill’s daughter Corinna Mantlo and her brother Adam Pocock set up the Facebook page The Bill Mantlo Project to pay tribute to their father and attempt to rebuild a complete library of Bill’s work. Eventually, they also hope to set up a non-profit scholarship fund to help kids pursue an education in art and writing. As the Facebook page mentions, “Bill was lucky enough to attend public art high school in NYC and then Cooper Union for a virtually free college art education, but many aren’t as lucky.” Friday night, I reached out to Corinna for additional details but by press time had not received a response.

As briefly mentioned in the LifeHealthPro article, during the last decade there have been other efforts made to pay tribute to and raise funds for Bill Mantlo. It started with Sleeping Giant Productions in partnership with Mike Mantlo producing Mantlo: A Life in Comics, a book which covered Bill’s life history and career (disclosure: I donated to help cover some production costs). While now out-of-print, it can be downloaded at Wowio.

I checked in with David Yurkovich of Sleeping Giant Productions to see his response to the article.

I wasn’t aware that the article was being published. My priorities over the last few years have shifted away from comics (ie, now a parent, new job, etc), which has left me with little time to devote to the medium. Even the Mantlo portal of the Sleeping Giant Creations web site has become terribly outdated, I’m afraid. But as the saying goes, you can only do what you can do. The article was heartbreaking. Obviously I’d known about Bill’s condition for a while, but my understanding was vague and limited. Bill Coffin’s article appears to have been exhaustively researched, both from a personal and health industry perspective. The costs associated with Mr. Mantlo’s care are staggering. I would have been interested in knowing more about the “new medication” that, for a time at least, improved Bill’s cognition and activities of daily living. If the drug was working, why did the physician in charge suggest doubling the dosage? Why wasn’t a small, gradual increase suggested? All water under the bridge now, I suppose.

As difficult as it was to read the stunning details in Bill Coffin’s article, I’m glad that he wrote it and that it saw publication. The vast majority of comics fans really have no idea whatever became of Bill Mantlo. The struggles he’s had to live with, not to mention the struggles his family have had to endure, really underscore the need for serious healthcare reform in the US.

Regarding any future plans for fundraising, Yurkovich told me the following:

There probably are [plans for more fundraising]. Bill has a legion of fans world-wide. Ideally I’d like to see Marvel step up to the plate and produce a Bill Mantlo Visionaries hardcover collection or an Incredible Hulk Omnibus containing Bill’s amazing run on that series, with a percentage of proceeds going toward Bill’s care.

In addition to Mantlo: A Life in Comics (pictured at the top of this article), the art show Rom: Spaceknight was put on by Floating World Comics in Portland, Oregon. They exhibited and sold new artwork of the cult favorite Rom character in which Bill was so involved. Walt Simonson (Thor), Jeffrey Brown (Incredible Change-Bots), and Guy Davis (B.P.R.D.) were among the artists that contributed. Finally Wowio reached out to Mike Mantlo to issue a digital release of Bill’s original graphic novel and comic book series Swords of the Swashbucklers, although that unfortunately does not appear to be available anymore.

My hope is that the LifeHealthPro article has inspired renewed interest in helping Bill Mantlo and that some of the above projects will see renewed interest and support. If you’re not comfortable with PayPal (above), you can also mail a check made out to Michael Mantlo to help with costs of Bill’s care:

Michael Mantlo
26364 East Pintail Road
Long Neck, DE 19966

Please help, if you can.

Interview: Stan Goldberg

Archie Marries... (click to buy from publisher Abrams ComicArts)

Speaking with comics artist Stan Goldberg was an honor, and I’m very grateful for his generosity with his time. I definitely did not expect this to go 45 minutes but he had a lot to share, and it’s worth it to hear him talk about all of this. His love for his work comes across quickly. He really loves what he does. It’s clear that this is a man still enjoying and exploring his craft and the process of storytelling despite already being a master at it.

I was also struck with how unfortunate it is for someone who has lived and breathed the Archie characters for the last 40 years, who has been the artist on their most commercially successful and buzz worthy books (for good reason), now finds himself with some uncertainty. Fortunately he’s still immensely talented. His abilities not only haven’t diminished, but may be stronger than ever. And he remained classy throughout, with not a bad word to say about his former employers. Already plans are in the works for the next phase of his career, and that to me is exciting. With over 60 years in the biz, he still has a lot of creativity to give.

Here’s the audio of our interview:

MP3 Download

Here’s a breakdown of what he talked about:

  • His 40-year career with Archie Comics, characters he clearly loves and respects, and his recent departure from the company.
  • Creating the color designs for Spider-Man, the Fantastic Four (the Thing is colored like “a wrinkled orange”), the Hulk (his pants were meant to be magenta, not purple), and the rest of the Marvel Comics universe, including the villains like Dr. Doom.
  • Being asked by Marvel to draw the Fantastic Four 50 years after coloring the first issue in 1961.
  • His work being reprinted in prestige hard cover books: Archie: The Best of Stan Goldberg [Amazon link] and Archie Marries… [Amazon link]
  • Being mentored by Stan Lee the art director in the ’50s
  • Using the Marvel Method for Millie the Model
  • Creating Kathy the Teenage Tornado (reprint this, Marvel!)
  • On the comics industry during the Senate hearings of the 1950s and the industry’s response: “It almost destroyed the whole industry.” He says the Comics Code Authority, the industry’s content watchdog, went overboard: “They made some corrections, but I guess they had to show what they were then getting paid for.” Marvel even lost their distributor for a time, which resulted in Stan having to go freelance.
  • His work on Millie the Model influencing women in fashion design and magazines like Cosmopolitan, McCall’s and others.
  • Collaborating with Michael Uslan on last year’s “Archie Marries…” story starting in Archie #600, which sold 50% better than Marvel & DC comic books at the time. His pure penciled artwork for the covers of those six issues was reprinted in IDW’s recent Archie: The Best of Stan Goldberg
  • The story of the surprise debut of Archie Meets Punisher and the plans for a sequel that never came to be.
  • And perhaps most exciting of all… teasing a future project he’s creating with a writer.

Archie: The Best of Stan Goldberg (click to buy from publisher IDW)

(Also a cameo by my cat Cleo climbing up the back of my chair if you listen carefully. I should also apologize for the volume disparity between his voice and mine. Fortunately once we get started, it’s mostly him. Ah the joys of technology. I’ll try to work that out for the next interview.)

FF #1 variant cover by Goldberg (50th Anniversary of Fantastic Four #1, Marvel Comics)