Action Comics

How Much Would You Pay for Superman?

Check to buy Superman (March 1, 1938)

How does $130 sound?

That’s what publisher Jack Liebowitz paid to own all of the rights to the character in 1938. Pretty good deal.

Above is the actual check received by Superman creators Jerry Siegel and Joe Shuster to buy their new Superman character outright. The check is dated March 1, 1938, and also includes payment for work by the creative partners appearing in comics cover-dated June 1938: $210 for stories appearing in Detective Comics #16 (21 pages in the publisher’s flagship book at the time), and $36 each for work in More Fun Comics and New Adventure Comics (probably issues #32 and #27, respectively). The total comes to $412. Noticeably absent is payment for their work in Action Comics #1, also cover-dated June 1938, although it’s possible that the $130 payment includes both the rights to Superman and compensation for their writing and illustrating the story.

The check is going to auction next year at ComicConnect. On Monday, it was posted to Twitter by Gerry Duggan (writer of The Infinite Horizon and fellow Emerson grad), where it immediately spread like wildfire among the comics community.

Andy Khouri of Comics Alliance has a great write-up that covers the historical significance of this check resurfacing after being assumed lost for decades. It is the beginning of a long and depressing narrative of the fight for creator rights and fair compensation in comics, and the complex series of ugly legal battles between DC Comics and the families of Siegel and Shuster that continues to this day. In 2008, the Siegel Estate was awarded half of the copyright to Superman as he appeared in his earliest comics and newspaper strips, but that ruling is currently being appealed. The Shuster Estate may be able regain its portion of the copyright in 2013. (In what maybe should have been a red flag of the troubles ahead, both Siegel and Shuster’s names on the check were misspelled by Liebowitz.)

The check was also used as evidence in the first comic book copyright lawsuit, Detective Comics, Inc. v. Bruns Publications, Inc. In 1939, Detective Comics sued Bruns regarding the latter’s Wonder Man character, which DC claimed infringed on Superman due to the likeness of their powers. That case was found in DC’s favor, establishing a precedent that led to the more popular Captain Marvel getting similarly squashed 11 years later. These cases allowed Marvel Comics to use both of these names in the 1960s and ’70s without any opposition. It also resulted in the British license of the original Captain Marvel to be reinvented as Marvelman by Mick Anglo in 1952, which is the beginning of a whole other epic battle of legal entanglements that only recently got cleared up (allegedly).

(Hat tip to Scott Shaw!)

Happy Valentine’s Day

I’m busy pitching woo with the one I love, so to tide you over here are a bunch of comics or semi-comics pictures celebrating love and the Holiday That Hallmark Built. Enjoy!

Lois Lane debuts with Superman in Action Comics #1 by Jerry Siegel and Joe Shuster, June 1938. Clark Kent pines for Lois but she only has eyes for the Man of Steel. And the superhero genre's psychological issues with identity and romance are off and running.

Archie Comics #3, Summer 1942, art by Harry Sahle features one of comics' classic love triangles. Will Archie choose Betty or Veronica?

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Hammer Museum celebrates 75 years of DC Comics

Hammer Museum: 75 Years of DC Comics (click for enbiggification)

The Hammer Museum here in LA reached out to let us know about a free event celebrating 75 Years of DC Comics on Tuesday December 14th at 7 PM.

Yes believe it or not, back in 1935 (!), 12 US Presidents ago, way before either Iraq Wars, before the Cold War, the Vietnam War, a few years before World War II and with the country still trying to shake off the Great Depression, a company then called National Allied Publications took a risk by publishing the first comic book of all-original material, New Fun: The Big Comic Magazine. Before then, comics were mostly or entirely made up of recycled newspaper comic strips. It was an uphill venture that initially didn’t pay off until 1938 with the release of Action Comics #1 and the debut of Superman. This was not only a huge hit, but it ended up inventing an entire sub-genre: superheroes. As National Allied changed hands, it’s name evolved to National Periodical Publications and eventually DC Comics and just recently DC Entertainment, named after the home of their second mega-hit Batman from Detective Comics. DC has remained an industry leader since the late 1930s, publishing more world icons like Wonder Woman, Green Lantern, and the Flash to accompany Superman and Batman.

Last month saw the release of a massive retrospective, 75 Years of DC Comics: The Art of Modern Mythmaking, written by former DC Comics president Paul Levitz. (Levitz was among our interviewees for Dig Comics at this year’s Comic-Con in San Diego.) To help in the yearlong celebration, Levitz will be joined at UCLA’s Hammer Museum by current DC executives and creators Jim Lee and Geoff Johns to discuss the history and future of DC. The event will be moderated by comedian Patton Oswalt, who’s no stranger to the world of comic books.

Within its short 75-year lifespan, DC Comics has created and destroyed entire cities, worlds, and universes with a cast of characters that includes the titans of the Superhero world. Comedian, actor, and writer Patton Oswalt will moderate a discussion among DC Comics’ Paul Levitz, Jim Lee, and Geoff Johns, the creative and editorial superheroes behind the pages of Batman, Superman, Wonder Woman, The Flash and Green Lantern, who will discuss the pulp origins of DC Comics’ story lines and characters, as well as the future of digital publishing.

ALL HAMMER PUBLIC PROGRAMS ARE FREE. Tickets are required, and are available at the Billy Wilder Theater Box Office one hour prior to start time. Limit one ticket per person on a first come, first served basis. Hammer members receive priority seating, subject to availability. Reservations not accepted, RSVPs not required.

Parking is available under the museum for $3 after 6:00pm.

While this looks like fun, the really interesting part to me is the inclusion of discussing the future of digital publishing. DC has made some good moves in this area just in the last few months, but it has also sadly shut down its imprint for original webcomics Zuda Comics. Word is that some more bold moves are in the works. I’m not expecting any solid announcements, but I’m hoping there will be some positive discussion to show that they’re ready to push strongly in that direction.

And I’m also unrealistically hoping they’ll pass out free copies of Levitz’ 75 Years of DC Comics to everyone in the audience, Oprah-style.

The Birth of Me in Comics

The Comic Book Database, a great resource site, has a cool new feature where you can search comic books by cover date. So, naturally I had to search for comics dated for my birth month and year: February, 1976. Play along at home!

Look out! That Assassin guy is right behind you doing exactly what you thought was impossible!

I can’t imagine it gets much awesomer than this British comic. I wish I was as tough as your boots. (Wait, did you say “Actual size”?!)

I’m not sure what’s more shocking. The Jaws double’s terribly chapped lips? Or Ghost Rider’s flaming skull and the ocean ignoring each other.

OK, I’m detecting a certain aquatic theme, possibly inspired by a certain pop culture-defining film (see: coat tail riders).

Well certainly Batman is too cool to be that lame.

Oh Batman. Really? The Olympics? Sigh…

Surely Marvel is above this kind of cheap pandering.

What in the — ?!

OK, why is Spider-Man dragging a poor innocent girl into this implausibly ridiculous yet dangerous game? Unless the little girl is subbing for the football in this demented version of Not-Soccer. You’d think something this EXTREME would bring in at least a few spectators but it looks like they couldn’t give tickets away to this game.

Later: “Eh, let’s go back to playing regular football.”

So, was it possibly football season when this issue came out?

Oh-ho! It’s funny because it’s sexist!

Oh ho! It’s funny because they have eating disorders.

Come on Captain America, help me out.

Watch out for the phallic-helmeted Trojan Horde! Let’s face it, no one can resist cataclysmic Kirby action.

To be fair, this was from a time when superheroes had to announce their ethnicity in their name. But only if they weren’t white.

Oh. My. God. I have no idea what’s happening or why, but I must have this.

If this issue doesn’t include lyrics and sheet music, I’m writing an angry letter.

Watch the hands, pal.

I understand this was the inspiration for Bill Murray’s Scrooged.

Don’t… look… behind… you. You might need more American flags printed on large sheets of cardboard paper.

Wow, this is crazy!

I think we all see what’s coming.

Dodging is so WILD!

What jerks. Worst friends ever.

Every twin I know has this exact same problem.

Stay back! It looks like someone might actually read this. We don’t stand a chance!

I love it!

This would never get published today. For several reasons.

So… Spider-Man and Storm (from the X-Men) are now thieves who steal from helpless old men? Uh… great.

And finally…

But.. but… I thought they were the same person! OK I admit it. I’m actually intrigued.

And that’s my birth month in comics! Here’s the full list, if you haven’t had enough.

(One thing to note that you may have noticed: Comics have traditionally been dated about 2-3 months in advance of their actual release date in an attempt to lengthen their shelf life, so most of these had probably been released in November or December, 1975. Still, it’s much easier go by cover date than try to determine when each individual comic actually hit stands.)