Dig Comics

Yes We Cannes

(Stupid joke. Sorry.)

I still owe you a post-WalkMS bloggy-thingie. It’s coming, I promise.

In the meantime, I have some exciting news! I will be in Cannes for not one, not two, but THREE screenings! Well, I won’t physically be there, but 2-dimensional representations of me and my work will be there.

The Short Film Corner at the Festival de Cannes has selected both Tough Love and Dig Comics for screenings! (Links below take you to the Short Film Corner pages for each.)

Tough Love is a comedy short where I did actorly stuff of a comedic fashion. The short film was produced by my Magic Meathands buddy Travis McElroy (who also acted in it) and directed by Mike Thomas. This will be the world premiere of Tough Love. I play one half of one of the 3 couples:

A couple of escaping mental patients intent on robbing a bank accidentally bust into a group couples counseling session and inadvertently help a bumbling therapist solve all the couples’ problems.

Dig Comics is a documentary short that I helped produce. I’ve babbled on about this one quite a bit already. You can even follow the progress of the film and our efforts to get a feature length version made right here. It was co-directed, written and hosted by Miguel Cima and produced and edited by Dirk Van Fleet. Dig Comics has been having a great run since it won Best Doc at last year’s Comic-Con Independent Film Festival, where it made its world debut. It has since screened at the Vancouver International Film Festival, New Filmmakers LA, Royal Flush Film Festival (NY) and Tucson Film and Music Festival, and received Merit Awards at both the LA Reel Film Festival and LA Cinema Festival of Film. Dig Comics has gotten positive reviews and write-ups from the LA Times, Ain’t It Cool News and Comic Book Resources, among others. It has also won the attention of actor Edward James Olmos, whose production company has signed on to help us in production once we obtain funding for a feature. I don’t act in this (’cause it’s a documentary, silly!) but I do have a couple of quick cameos.

Is the American art form of comic books dying? Dig Comics hits the streets to convert everyday people into new fans. Comics professionals, experts and celebrities weigh in on what went wrong and how to bring back the comics audience. The battle is on to get America to Dig Comics!

As if all of that isn’t enough, Dig Comics will also be screening at the Cannes Independent Film Festival! This festival runs independent of yet concurrently with Festival de Cannes. Both Festivals take place May 12-23 this year.

Cannes wants you to Dig Comics, so does New Filmmakers LA, so does Capes On Film!

Dig Comics has just been selected by the Cannes Independent Film Festival! As an Official Selection, our short film will be screened during this year’s festival, May 12-23.

This is pretty exciting news for us! If you’re not in France, but in Los Angeles, you still have a chance to see Dig Comics. This Thursday is the big screening put on by New Filmmakers LA at Sunset Gower Studios. Head over to their site to download our press kit and buy tickets. The screening is only $5! Hurry, seating is limited! A Q&A with director Miguel Cima will follow the screening.

If you’re still not convinced that Dig Comics is worth checking out, maybe the great review at Capes On Film can convince you.

Comics Alliance wants you to Dig Comics

The always entertaining Comics Alliance posted a new interview by Caleb Goellner with Dig Comics host/writer Miguel Cima.

The modern comic book industry faces a lot of challenges as it marches into this brave new year, but there’s one common thread that ties them all together: more people need to be reading comics.

Frustrated with a seemingly shrinking audience despite a wealth of diverse and accessible content, Miguel Cima has set out to do something to correct what he considers an affront on sequential art enjoyment.

“An affront on sequential art enjoyment” – great line.

Also, more good news – Dig Comics has been awarded an Honorable Mention at the Los Angeles Reel Film Festival.

Panels On Pages wants you to Dig Comics TODAY

Dig Comics writer/director/host Miguel Cima will be a guest on the podcast Panels On Pages starting in less than an hour! There’s a chat room so that you can interact with the show as it happens. Miguel will be on the show for the entire episode.

Tune in tonight at 10 PM Eastern/7 PM Pacific.

If you miss it, the episode will be archived at Panels On Pages here some point after the broadcast.

Graphic NYC wants you to Dig Comics!

Graphic NYC‘s Christopher Irving writes a great review of Dig Comics as part of his For The Love Of Comics series. He was there for our recent screening at Jim Hanley’s Universe.

Dig Comics is ambitious, positive, and full of pep.

Read the whole thing!

Dig Comics gave blogger a nerdgasm

NerdGasm made it to last weekend’s screening at Jim Hanley’s Universe in New York City, and really enjoyed our documentary Dig Comics!

Dig Comics is very informative and makes you think about the comic book industry and how it will survive the years to come. This is something every comic book fan should be interested in and as fans we should all take up the cause along with Miguel.

Read the whole review by clicking in this general vicinity here!

Miguel Talks Dig Comics with CBR

Dig Comics director/writer/host Miguel Cima speaks with Tim O’Shea of Comic Book Resources’ Robot 6 blog for Tim’s excellent interview series “Talking Comics with Tim”. Read the interview here.

In other Dig Comics news, Heidi McDonald of the Publisher’s Weekly comics blog The Beat has been added to our list of panelists for this Saturday’s screening at Jim Hanley’s Universe. We’re very excited to have her voice added to our already impressive panel of comic industry experts.

Dig Comics screens this Saturday at Jim Hanley’s Universe

Hey New York! Here’s your chance to see the documentary Dig Comics!

DigJHUweb

This Saturday, November 14, 3 PM, at Jim Hanley’s Universe, 4 West 33rd Street, New York, 10001.

Stay for an exclusive panel with director/writer/host Miguel Cima, Marvel Comics executive editor Tom Brevoort, writer/editor Andy Helfer, writer/editor Danny Fingeroth, Graphic NYC‘s Christopher Irving, and more!

New Graphic Novels, Comic Books for You – 10/14/09

Never read a graphic novel before? Haven’t read a comic book in years?

Here’s some brand new stuff that came out the week of October 14 that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.

[And yes, I’m nearly a month behind. You don’t have to rub it in.]

Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.

Blood + Water – $17.95
By Judd Winick & Tomm Coker
128 pages; published by DC Comics’ Vertigo Books; available at Amazon.com

Adam Heller is dying, but before he can take the big dirt nap, his best friends offer him a chance at immortality and he takes it. Now Adam is a vampire living it up on the wild side and it’s everything he could ever want. But the eternal party crashes to a bloody halt when an ancient monster awakens from the dark, forgotten places of the world and comes looking for Adam. The startling reason this monster has come looking for him may be the most horrifying realization of all.

I read this story when it originally came out in individual comic book issues back in 2003. (I can’t believe that was 6 years ago.) I find Judd Winick to be kind of a mixed bag as a writer, but this was one of his good ones. And as I recall Tomm Coker’s art is even better. It was so solid, I was kind of surprised a sequel never materialized. Maybe this collected edition is a hint that one is finally coming. Unfortunately I couldn’t find a preview. If anyone finds one, post it in the comments below.

Heavy Liquid – $24.99
By Paul Pope
240 pages; published by DC Comics’ Vertigo Books; available at Amazon.com

“Pope has embellished his stylish love story with heart-stopping action and adventure. …Pope’s drawing and page design … is both technically assured and wonderfully expressive.” —PUBLISHERS WEEKLY

“This has the potential to attract a large audience, including serious readers, science-fiction buffs, artists, and would-be graphic novelists.” —SCHOOL LIBRARY JOURNAL

In a future where New York has evolved into a sci-fi metropolis, “S,” a man addicted to “heavy liquid,” a substance that is both a drug and an art form, finds himself trapped in a mystery littered with love and drugs. This new edition features bonus sketch material, new coloring and more.

Another one from Vertigo’s vaults, this was originally released in early 2000. Paul Pope is one of the art form’s more exceptional storytellers and artists and this has been on my must-get list for some time. It’s great to see this re-released. DC Comics has a pretty skimpy preview here in PDF.

The Fixer and Other Stories – $19.95
By Joe Sacco
216 pages; published by Drawn and Quarterly; available at Amazon.com

“Sacco is one of the most astute war-zone correspondents working today” –Rolling Stone

“A searing and amusing look at the motley collection of reporters, war profiteers, criminals, soldiers and hapless civilians trapped in war zone.” –New York Times

“Sacco doesn’t try to lay claim to the truth. He’s simply telling one man’s story, and it makes for an excellent book.” –Washington Post

“Sacco demonstrates that the narrative arts, including comics, can gather up complicated social truths with a gradual patience that often eludes the camera.” –Boston Globe

Using old-fashioned pen and paper, award-winning cartoonist Joe Sacco reports from the sidelines of wars around the world. THE FIXER AND OTHER STORIES is a new softcover that collects Joe Sacco’s landmark short stories on the Bosnian War that previously comprised the hardcover editions of THE FIXER and WARS END.

It must be re-issue week. This reprints material from 2003 and 2005. Joe Sacco is living proof that comics can do and be anything. Even journalism. And fortunately he’s real good at it, too. It’s sorta kinda like NPR in comics.

Blackbeard: Legend of the Pyrate King #1 – $3.50
By Eduardo Sanchez, Gregg Hale, Robert Napton, Jamie Nash and Mario Guevara
32 pages; published by Dynamite Entertaiment

Dynamite presents their most ambitious undertaking yet – BLACKBEARD: THE LEGEND OF THE PYRATE KING #1! Under the stunning John Cassaday, producers Eduardo (writer of The Blair Witch Project) Sanchez and Gregg (producer of The Blair Witch Project) Hale are joined by Robert Napton and Jamie Nash to present the ultimate adventure tale of a bygone age, when pyrates ruled the waters!
Beginning with his childhood and carry through to his bitter end, Blackbeard’s legacy has never been explored as deeply and illustrated as beautifully (by Mario Guevara) than now!

I don’t really consider a comic by the makers of The Blair Witch Project to be all that big of a selling point, but Dynamite has had a pretty decent track record with properties like The Lone Ranger, Zorro and Sherlock Holmes. I think this is their first comic steeped in history and based on an actual person, and I’m sure liberties will be taken. But it looks like a fun ride nevertheless. Check out the preview at the publisher link above.

MOME Vol. 16 – $14.99
Edited by Gary Groth and Eric Reynolds
112 pages; published by Fantagraphics Books; available at Amazon.com

Since its inception in 2005, Mome has served as a comics McSweeney’s. Whether exposing new talent like Eleanor Davis (author of the recent Stinky by Toon Books); featuring short stories by contemporary graphic novelists like Dash Shaw (The Bottomless Belly Button); bringing the work of international superstars like David B. (Epileptic) to American audiences; or introducing the work of legends like Gilbert Shelton (The Fabulous Furry Freak Brothers) to a new generation of readers, Mome is the most acclaimed, accessible, frequent, and reasonably priced anthology on the market despite it’s high production values and mostly color format.

This issue features several of our favorite alternative comic artists of the last 15 years, bringing us great joy. Archer Prewitt is the first, with an all-new “Funny Bunny” strip created in between his active musical career. “The Moolah Tree” is the new Fuzz & Pluck graphic novel from Ted Stearn, following Fuzz & Pluck and Fuzz & Pluck: Splitsville, beginning serialization here. We are equally proud to debut new work from Renée French, whose work is also featured on the front and back cover of this issue. And Nicholas Mahler debuts to ask “What Is Art?” (translated by secret weapon Kim Thompson).

Also: the second chapter of T. Edward Bak’s “Wild Man – The Strange Journey – and Fantastic Accounts – of the Naturalist Georg Wilhelm Steller, from Bavaria to Bolshaya Zemlya (and Beyond)”; a new “Cold Heat” story by the team of Ben Jones, Frank Santoro & Jon Vermilyea; Dash Shaw interprets an episode of “Blind Date” into comics form; and new stories from Lilli Carré, Conor O’Keefe, Laura Park, Nate Neal, and Sara Edward-Corbett, with incidental drawings by Kaela Graham.

This highly regarded quarterly anthology is a great survey of some of the industry’s greatest and most innovative creators. If you’ve always wanted to sample quality alternative comics, here’s your first stop. Here’s a great big 12-page preview (PDF).

You Are There – $26.99
By Jacques Tardi & Jean-Claude Forest
192 pages; published by Fantagraphics Books; available at Amazon.com

The satirical masterpiece that ushered in the graphic novel era to European comics, finally available in English—the beginning of an ambitious publishing project introducing one of Europe’s most beloved cartoonists to American audiences. One of the earliest full-length, standalone graphic novels to be published in Europe, and certainly one of the best and most original, Ici Même was serialized in the adult French comics monthly (A suivre) in the early 1980s and then released in book form. A quarter of a century later, this dark, funny, consistently surprising masterpiece has finally been translated into English.

An unexpected yet smoothly confident collaboration between the darkly cynical Jacques Tardi and the playful fantasist Jean-Claude Forest (of Barbarella fame), You Are There is set on a small island off the coast of France, where unscrupulous landowners have succeeded in overtaking the land from the last heir of a previously wealthy family. That heir, whose domain, in a Beckettian twist, is now reduced to the walls that border these patches of land he used to own, prowls the walls all day, eking out a living by collecting tolls at each gate. His seemingly hopeless struggle to recover his birthright becomes complicated as the government sees a way of using his plight for the sake of political expediency, and the romantic intervention of the daughter of one of the landowners (who has her own sordid history with the politician) engenders further difficulties, culminating in an apocalyptic, hallucinatory finale.

Set in Tardi’s preferred early 20th century milieu, You Are There is drawn in his crisp 1980s neo-“clear line” style, gorgeously detailed, elegantly stylized, with impossibly deep slabs of black. You Are There is a feast for both the eyes and the brain.

As we cover in our documentary Dig Comics, the perception of comic books and their corresponding growth (or lack thereof) is notably different in countries other than the United States. This past summer, Dig Comics director/writer/host Miguel Cima discovered firsthand that France has a healthier, more diverse industry. This release from 1979 was apparently a significant moment in the growth of that industry. Here’s an even bigger 19-page preview (PDF).

The Act-I-Vate Primer – $24.99
Edited by Dean Haspiel, Nick Bertozzi, et al.
160 pages; published by IDW Publishing; available at Amazon.com

In the tradition of the acclaimed and groundbreaking anthology, Flight, the ACT-I-VATE Primer showcases a wide array of stories and talent -18 innovative creators, 16 intriguing properties, one beautiful book – and all-new, never-before-seen stories and art!

act-i-vate.com is the premier comic art collective on the Internet, featuring many renowned cartoonists who produce all-new material on a regular basis. The ACT-I-VATE PRIMER is a PRINT EXCLUSIVE anthology by many of the Act-I-Vate creators. None of the material in this book will appear on the Act-I-Vate website for at least one year from publication date.

There is a lot of good comics work being doing online and Act-I-Vate.com is one of the best hubs to find it. This anthology is another fine sampler. Here’s a 16-page preview.

That’s it for this week. Tougher than usual to whittle it down to a halfway digestible list. Yay comics!

Cafe 50s remembers the comic book spinner rack

Following up on last week’s discovery of a New Hampshire grocery store displaying and selling comic books using the old fashioned spinner rack, my friend Shane Boroomand from the Magic Meathands sent me this picture.

cafe50s-comicbook_rack

Cafe 50's, Los Angeles - photo by Shane Boroomand

Yes, that’s right, it’s another comics spinner rack!

This one is located in Cafe 50’s in West Los Angeles. As you can probably tell, they’re a diner with a 1950’s theme, so they have an appropriate selection of reprint editions of classic horror, crime and war comics from the period.

Our documentary Dig Comics addresses this very important period in comics history. Just as the medium was spreading out into older and more diverse audiences, the industry was put under the microscope of a Senate sub-committee investigating the effects of comics on juvenile delinquency. These 1954 hearings led to a sterilization and perception of comics that lasted for decades. Much of that sterilization has been overcome throughout the last 10-25 years. From our street interviews, we discovered that most of the perceptions remain. Confronting and changing those perceptions is a lot of what our documentary, and the follow-ups to come, is about.

Thanks for sending this, Shane!

If you see a comics spinner rack not in a comic book store, send me a picture!