Jacques Tardi

Comic-Con Wrap-Up: Comics Debuts

I know it’s hard to believe with all the big flashy Hollywood things, but Comic-Con actually had stuff about comic books! There were a number of exciting debuts this year. Scroll through and see if something catches your eye. If so, read the blurb I’ve put together from the publisher’s write-ups, and if you’re intrigued, click the links to find out more.

Any Empire by Nate Powell

Any Empire by Nate Powell

Any Empire by Nate Powell (Swallow Me Whole) recalls aimless summers of Nancy Drew and G.I. Joe, treehouses and army surplus stores… but when fantasy starts to bleed into reality, whose mission will be accomplished? [Interview]

Big Questions by Anders Nilsen

Big Questions by Anders Nilsen

Big Questions by Anders Nilsen: A haunting postmodern fable, this beautiful and minimalist story is the culmination of ten years and over 600 pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe.

Daybreak by Brian Ralph

Daybreak by Brian Ralph

Daybreak by Brian Ralph is an unconventional zombie story. Drawing inspiration from zombies, horror movies, television, and first-person shooter video games, Daybreak departs from zombie genre in both content and format, achieving a living-dead masterwork of literary proportions. [Interview]

The Death-Ray by Daniel Clowes

The Death-Ray by Daniel Clowes

The Death-Ray by Daniel Clowes: Classic staples of the superhero genre – origin, costume, ray-gun. sidekick, fight scene – are reconfigured into a story that is anything but morally simplistic. With subtle comedy, deft mastery and an obvious affection for the bold Pop Art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche.

Freakshow by David Server, Jackson Lanzing and Joe Suitor

Freakshow by David Server, Jackson Lanzing and Joe Suitor

Freakshow by writers David Server and Jackson Lanzing, and artist Joe Suitor: When five refugee survivors develop monstrous mutations from a devastating chemical explosion that leaves their city in ruins, they band together to seek revenge against the clandestine government quarantine that has seized control in the aftermath. But are they monsters…or heroes?

WAIT, there’s more! Click through…!

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In Recognition of Memorial Day

Our Army at War #13, August 1953 (Art by Bernie Krigstein, published by DC Comics)

The 1812 War, Fall 2011 (Art by George Freeman, published by Renegade Arts Entertainment)

Civil War Adventure, May 2011 (Art by Gary Kwapicz, published by History Graphics Press)

It Was the War of the Trenches, February 2010 (Art by Jacques Tardi, published by Fantagraphics)

Sgt. Rock: The Prophecy #6, August 2006 (Art by Joe Kubert, published by DC Comics)

Two-Fisted Tales #27, May 1952 (Art by Harvey Kurtzman, published by EC Comics)

Last Day in Vietnam, July 2000 (Art by Will Eisner, published by Dark Horse Comics)

Gulf War Journal, August 2004 (Art by Don Lomax, published by iBooks)

Dougie's War, August 2010 (Art by Dave Turbitt, published by Freight Design)

War Fix, June 2005 (Art by Stephen Olexa, published by NBM Publishing)

New Graphic Novels, Comic Books for You – 10/14/09

Never read a graphic novel before? Haven’t read a comic book in years?

Here’s some brand new stuff that came out the week of October 14 that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.

[And yes, I’m nearly a month behind. You don’t have to rub it in.]

Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.

Blood + Water – $17.95
By Judd Winick & Tomm Coker
128 pages; published by DC Comics’ Vertigo Books; available at Amazon.com

Adam Heller is dying, but before he can take the big dirt nap, his best friends offer him a chance at immortality and he takes it. Now Adam is a vampire living it up on the wild side and it’s everything he could ever want. But the eternal party crashes to a bloody halt when an ancient monster awakens from the dark, forgotten places of the world and comes looking for Adam. The startling reason this monster has come looking for him may be the most horrifying realization of all.

I read this story when it originally came out in individual comic book issues back in 2003. (I can’t believe that was 6 years ago.) I find Judd Winick to be kind of a mixed bag as a writer, but this was one of his good ones. And as I recall Tomm Coker’s art is even better. It was so solid, I was kind of surprised a sequel never materialized. Maybe this collected edition is a hint that one is finally coming. Unfortunately I couldn’t find a preview. If anyone finds one, post it in the comments below.

Heavy Liquid – $24.99
By Paul Pope
240 pages; published by DC Comics’ Vertigo Books; available at Amazon.com

“Pope has embellished his stylish love story with heart-stopping action and adventure. …Pope’s drawing and page design … is both technically assured and wonderfully expressive.” —PUBLISHERS WEEKLY

“This has the potential to attract a large audience, including serious readers, science-fiction buffs, artists, and would-be graphic novelists.” —SCHOOL LIBRARY JOURNAL

In a future where New York has evolved into a sci-fi metropolis, “S,” a man addicted to “heavy liquid,” a substance that is both a drug and an art form, finds himself trapped in a mystery littered with love and drugs. This new edition features bonus sketch material, new coloring and more.

Another one from Vertigo’s vaults, this was originally released in early 2000. Paul Pope is one of the art form’s more exceptional storytellers and artists and this has been on my must-get list for some time. It’s great to see this re-released. DC Comics has a pretty skimpy preview here in PDF.

The Fixer and Other Stories – $19.95
By Joe Sacco
216 pages; published by Drawn and Quarterly; available at Amazon.com

“Sacco is one of the most astute war-zone correspondents working today” –Rolling Stone

“A searing and amusing look at the motley collection of reporters, war profiteers, criminals, soldiers and hapless civilians trapped in war zone.” –New York Times

“Sacco doesn’t try to lay claim to the truth. He’s simply telling one man’s story, and it makes for an excellent book.” –Washington Post

“Sacco demonstrates that the narrative arts, including comics, can gather up complicated social truths with a gradual patience that often eludes the camera.” –Boston Globe

Using old-fashioned pen and paper, award-winning cartoonist Joe Sacco reports from the sidelines of wars around the world. THE FIXER AND OTHER STORIES is a new softcover that collects Joe Sacco’s landmark short stories on the Bosnian War that previously comprised the hardcover editions of THE FIXER and WARS END.

It must be re-issue week. This reprints material from 2003 and 2005. Joe Sacco is living proof that comics can do and be anything. Even journalism. And fortunately he’s real good at it, too. It’s sorta kinda like NPR in comics.

Blackbeard: Legend of the Pyrate King #1 – $3.50
By Eduardo Sanchez, Gregg Hale, Robert Napton, Jamie Nash and Mario Guevara
32 pages; published by Dynamite Entertaiment

Dynamite presents their most ambitious undertaking yet – BLACKBEARD: THE LEGEND OF THE PYRATE KING #1! Under the stunning John Cassaday, producers Eduardo (writer of The Blair Witch Project) Sanchez and Gregg (producer of The Blair Witch Project) Hale are joined by Robert Napton and Jamie Nash to present the ultimate adventure tale of a bygone age, when pyrates ruled the waters!
Beginning with his childhood and carry through to his bitter end, Blackbeard’s legacy has never been explored as deeply and illustrated as beautifully (by Mario Guevara) than now!

I don’t really consider a comic by the makers of The Blair Witch Project to be all that big of a selling point, but Dynamite has had a pretty decent track record with properties like The Lone Ranger, Zorro and Sherlock Holmes. I think this is their first comic steeped in history and based on an actual person, and I’m sure liberties will be taken. But it looks like a fun ride nevertheless. Check out the preview at the publisher link above.

MOME Vol. 16 – $14.99
Edited by Gary Groth and Eric Reynolds
112 pages; published by Fantagraphics Books; available at Amazon.com

Since its inception in 2005, Mome has served as a comics McSweeney’s. Whether exposing new talent like Eleanor Davis (author of the recent Stinky by Toon Books); featuring short stories by contemporary graphic novelists like Dash Shaw (The Bottomless Belly Button); bringing the work of international superstars like David B. (Epileptic) to American audiences; or introducing the work of legends like Gilbert Shelton (The Fabulous Furry Freak Brothers) to a new generation of readers, Mome is the most acclaimed, accessible, frequent, and reasonably priced anthology on the market despite it’s high production values and mostly color format.

This issue features several of our favorite alternative comic artists of the last 15 years, bringing us great joy. Archer Prewitt is the first, with an all-new “Funny Bunny” strip created in between his active musical career. “The Moolah Tree” is the new Fuzz & Pluck graphic novel from Ted Stearn, following Fuzz & Pluck and Fuzz & Pluck: Splitsville, beginning serialization here. We are equally proud to debut new work from Renée French, whose work is also featured on the front and back cover of this issue. And Nicholas Mahler debuts to ask “What Is Art?” (translated by secret weapon Kim Thompson).

Also: the second chapter of T. Edward Bak’s “Wild Man – The Strange Journey – and Fantastic Accounts – of the Naturalist Georg Wilhelm Steller, from Bavaria to Bolshaya Zemlya (and Beyond)”; a new “Cold Heat” story by the team of Ben Jones, Frank Santoro & Jon Vermilyea; Dash Shaw interprets an episode of “Blind Date” into comics form; and new stories from Lilli Carré, Conor O’Keefe, Laura Park, Nate Neal, and Sara Edward-Corbett, with incidental drawings by Kaela Graham.

This highly regarded quarterly anthology is a great survey of some of the industry’s greatest and most innovative creators. If you’ve always wanted to sample quality alternative comics, here’s your first stop. Here’s a great big 12-page preview (PDF).

You Are There – $26.99
By Jacques Tardi & Jean-Claude Forest
192 pages; published by Fantagraphics Books; available at Amazon.com

The satirical masterpiece that ushered in the graphic novel era to European comics, finally available in English—the beginning of an ambitious publishing project introducing one of Europe’s most beloved cartoonists to American audiences. One of the earliest full-length, standalone graphic novels to be published in Europe, and certainly one of the best and most original, Ici Même was serialized in the adult French comics monthly (A suivre) in the early 1980s and then released in book form. A quarter of a century later, this dark, funny, consistently surprising masterpiece has finally been translated into English.

An unexpected yet smoothly confident collaboration between the darkly cynical Jacques Tardi and the playful fantasist Jean-Claude Forest (of Barbarella fame), You Are There is set on a small island off the coast of France, where unscrupulous landowners have succeeded in overtaking the land from the last heir of a previously wealthy family. That heir, whose domain, in a Beckettian twist, is now reduced to the walls that border these patches of land he used to own, prowls the walls all day, eking out a living by collecting tolls at each gate. His seemingly hopeless struggle to recover his birthright becomes complicated as the government sees a way of using his plight for the sake of political expediency, and the romantic intervention of the daughter of one of the landowners (who has her own sordid history with the politician) engenders further difficulties, culminating in an apocalyptic, hallucinatory finale.

Set in Tardi’s preferred early 20th century milieu, You Are There is drawn in his crisp 1980s neo-“clear line” style, gorgeously detailed, elegantly stylized, with impossibly deep slabs of black. You Are There is a feast for both the eyes and the brain.

As we cover in our documentary Dig Comics, the perception of comic books and their corresponding growth (or lack thereof) is notably different in countries other than the United States. This past summer, Dig Comics director/writer/host Miguel Cima discovered firsthand that France has a healthier, more diverse industry. This release from 1979 was apparently a significant moment in the growth of that industry. Here’s an even bigger 19-page preview (PDF).

The Act-I-Vate Primer – $24.99
Edited by Dean Haspiel, Nick Bertozzi, et al.
160 pages; published by IDW Publishing; available at Amazon.com

In the tradition of the acclaimed and groundbreaking anthology, Flight, the ACT-I-VATE Primer showcases a wide array of stories and talent -18 innovative creators, 16 intriguing properties, one beautiful book – and all-new, never-before-seen stories and art!

act-i-vate.com is the premier comic art collective on the Internet, featuring many renowned cartoonists who produce all-new material on a regular basis. The ACT-I-VATE PRIMER is a PRINT EXCLUSIVE anthology by many of the Act-I-Vate creators. None of the material in this book will appear on the Act-I-Vate website for at least one year from publication date.

There is a lot of good comics work being doing online and Act-I-Vate.com is one of the best hubs to find it. This anthology is another fine sampler. Here’s a 16-page preview.

That’s it for this week. Tougher than usual to whittle it down to a halfway digestible list. Yay comics!

New to Comics? New Comics for You! 9/9/09

Never read a graphic novel before? Haven’t read a comic book in years?

Here’s some brand new stuff that came out last week that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.

Don’t have a lot of time, so not much commentary from me. Just imagine me being excited about all of these because they all look awesome.

Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.

The Storm in the Barn – $24.99
By Matt Phelan
208 pages; published by Candlewick Press; available at Amazon.com

In Kansas in the year 1937, eleven-year-old Jack Clark faces his share of ordinary challenges: local bullies, his father’s failed expectations, a little sister with an eye for trouble. But he also has to deal with the effects of the Dust Bowl, including rising tensions in his small town and the spread of a shadowy illness. Certainly a case of “dust dementia” would explain who (or what) Jack has glimpsed in the Talbot’s abandoned barn — a sinister figure with a face like rain. In a land where it never rains, it’s hard to trust what you see with your own eyes — and harder still to take heart and be a hero when the time comes. With phenomenal pacing, sensitivity, and a sure command of suspense, Matt Phelan ushers us into a world where desperation is transformed by unexpected courage.

Tall tale. Thriller. Gripping historical fiction. This artful, sparely told graphic novel — a tale of a boy in Dust Bowl America — will resonate with young readers today.

Here’s a look inside.

Giraffes In My Hair: A Rock ‘n’ Roll Life – $19.99
By Bruce Paley & Carol Swain
120 pages; published by Fantagraphics Books; available at Amazon.com

A UNIQUE TAKE ON THE SUMMER OF LOVE GENERATION, THROUGH THE EYES OF AN ACCLAIMED GRAPHIC NOVELIST AND HER PARTNER, WHO LIVED IT

Bruce Paley turned 18 in 1967 during the Summer of Love, putting him on the front lines of the late-1960s youth movement. Paley’s tumultuous journey took him from being a Jack Kerouac-loving hippie in the 1960s, on the road with his 17-year-old girlfriend, dropping acid at Disneyland, living in a car, and crashing with armed Black Panthers at the infamous 1968 Democratic National Convention, to hanging out at Max’s Kansas City, shooting heroin and cocaine with the likes of rock star Johnny Thunders, and frequenting Times Square’s seedy brothels — a journey that mirrored the changing times as the optimism of the ’60s gave way to the nihilism of the punk years. Over a dozen years, Bruce crossed paths with hippies, violent cops, rednecks, rock stars, and Black Panthers… and ended up a heroin addict for much of the 1970s.

These stories are vividly brought to life in Giraffes in My Hair (A Rock ’N’ Roll Life) by the compelling visual storytelling of Bruce’s partner, the cartoonist Carol Swain.

Swain’s trademark visual approach to comics, typified by exquisitely composed panels that vividly capture both anomie and pathos, is perfectly suited to dramatizing Paley’s life during that confusing, tumultuous period of American history — a life lived in the countercultural margins, amidst personal chaos and social dissolution. Swain’s storytelling rhythms are contemplative and breathes inner life into Paley’s turbulent stories, creating a perceptive prism to view the vast possibilities and endless pitfalls as experienced by a kid growing up in America in the late 1960s and early ’70s.

Here’s a 9-page preview (PDF), which makes up the first chapter.

West Coast Blues – $18.99
By Jacques Tardi & Jean-Patrick Manchette
80 pages; published by Fantagraphics Books; available at Amazon.com

A SAVAGE NOIR THRILLER REUNITING A MASTER CRIME NOVELIST AND A SUPERLATIVE FRENCH CARTOONIST

George Gerfaut, aimless young executive and desultory family man, witnesses a murder and finds himself sucked into a spiral of violence involving an exiled war criminal and two hired assassins. Adapting to the exigencies of his new life on the run with shocking ease, Gerfaut abandons his comfortable middle-class life for several months (including a sojourn in the countryside after an attempt to ride the rails turns spectacularly bad) until, joined with a new ally, he finally returns to settle all accounts… with brutal, bloody interest.

Originally released in 2005, West Coast Blues (Le Petit bleu de la côte ouest) is Tardi’s adaptation of a popular 1976 novel by the French crime writer Jean-Patrick Manchette. (The novel had been previously adapted to film under the more literal title Trois hommes à abattre, and was released in English by the San Francisco-based publisher City Lights under the English version of the same title, 3 to Kill.)

Tardi’s late-period, looser style infuses Manchette’s dark story with a seething, malevolent energy; he doesn’t shy away from the frequently grisly goings-on, while maintaining (particularly in the old-married-couple-style bickering of the two killers who are tracking Gerfaut) the mordant wit that characterizes his best work. This is the kind of graphic novel that Quentin Tarantino would love, and a double shot of Scotch for any fan of unrelenting, uncompromising crime fiction.

“Tardi brings a rough and gritty reality and an existential strangeness that makes his crime stories different than anyone else’s. I’ll read anything he draws.” – Ed Brubaker

“To put it simply, this shit kicks ass.” – Howard Chaykin

Here’s a 10-page preview (PDF).

Grown-Ups Are Dumb! (No Offense) – $8.99
By Alexa Kitchen
96 pages; published by Hyperion Books For Children; available at Amazon.com

Dumb parents, little brothers, gigantic messes, and homework–this is the plight of young readers everywhere. And, until now, it had not been expressed by someone so close to the source.

Ten-year-old Alexa Kitchen may have an unusual talent–she is the world’s youngest comics artist–but she really is just like many girls her age. Just trying to get by in a world that seems determined to undermine her at every turn. Luckily she’s got a way with a pen and a good sense of humor.

This collection of funny, insightful cartoons based on the real-life trials of many families will resonate with young readers everywhere.

Grimwood’s Daughter – $12.99
By Jan Strnad & Kevin Nowlan
64 pages; published by IDW Publishing; available at Amazon.com

Grimwood’s Daughter chronicles the last days of the elves in their desperate war against man, magician, and dragon. Artist Kevin Nowlan’s powerful images elevate Jan Strnad’s dark, cautionary tale into a true gem of fantasy fiction, a graphic fable that is compelling, timeless, and unforgettable. Includes a special section with Nowlan sketches and preliminaries!

Here’s a blog post by artist Kevin Nowlan reminiscing about the original release of this story and talking about this new publication. And here’s another with a preview.

The Secret Science Alliance and the Copycat Crook – $10.99
By Eleanor Davis
160 pages; published by MacMillan Publishing’s Bloomsbury Books; available at Amazon.com

Supersmart Julian Calendar thinks moving to a new school will mean he can shed his nerdy  image—but then he meets Ben and Greta, two secret scientists like himself. The three form  a covert club, complete with a high-tech lair. There, they can work to their hearts content on  projects like the Stink-O-Meter, the Kablovsky Copter, and the Nightsneak Goggles. All that  tinkering comes in handy when the trio discovers an evil scientist’s dastardly plan to rob a  museum. Can three inventors, armed with their wacky creations, hope to defeat this criminalmastermind?

Illustrated in full color throughout, The Secret Science Alliance and the Copycat Crook is a treat  for the eyes, with marvelous gadgetry rendered in elaborate detail. And stay on the lookout formore Secret Science Alliance adventures from comic supergenius Eleanor Davis!

Here’s a 9-page preview.

Yay comics! Go get ’em!