Lewis Trondheim

Comic-Con Wrap-Up: Comics Debuts

I know it’s hard to believe with all the big flashy Hollywood things, but Comic-Con actually had stuff about comic books! There were a number of exciting debuts this year. Scroll through and see if something catches your eye. If so, read the blurb I’ve put together from the publisher’s write-ups, and if you’re intrigued, click the links to find out more.

Any Empire by Nate Powell

Any Empire by Nate Powell

Any Empire by Nate Powell (Swallow Me Whole) recalls aimless summers of Nancy Drew and G.I. Joe, treehouses and army surplus stores… but when fantasy starts to bleed into reality, whose mission will be accomplished? [Interview]

Big Questions by Anders Nilsen

Big Questions by Anders Nilsen

Big Questions by Anders Nilsen: A haunting postmodern fable, this beautiful and minimalist story is the culmination of ten years and over 600 pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe.

Daybreak by Brian Ralph

Daybreak by Brian Ralph

Daybreak by Brian Ralph is an unconventional zombie story. Drawing inspiration from zombies, horror movies, television, and first-person shooter video games, Daybreak departs from zombie genre in both content and format, achieving a living-dead masterwork of literary proportions. [Interview]

The Death-Ray by Daniel Clowes

The Death-Ray by Daniel Clowes

The Death-Ray by Daniel Clowes: Classic staples of the superhero genre – origin, costume, ray-gun. sidekick, fight scene – are reconfigured into a story that is anything but morally simplistic. With subtle comedy, deft mastery and an obvious affection for the bold Pop Art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche.

Freakshow by David Server, Jackson Lanzing and Joe Suitor

Freakshow by David Server, Jackson Lanzing and Joe Suitor

Freakshow by writers David Server and Jackson Lanzing, and artist Joe Suitor: When five refugee survivors develop monstrous mutations from a devastating chemical explosion that leaves their city in ruins, they band together to seek revenge against the clandestine government quarantine that has seized control in the aftermath. But are they monsters…or heroes?

WAIT, there’s more! Click through…!

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Comics College reveals Essential Reading of Comic Book Masters

One of my favorite regular columns is the monthly Comics College by Chris Mautner at Robot 6, hosted by Comic Book Resources. Each entry is a great introductory overview of what’s best to read from the great comic book masters and why they are so good, making this a fantastic source for newcomers or people who’ve always wanted to expand their reading. It also covers their lesser known work and stuff that maybe should be avoided.

The great part of the column is that it is looking at masters from all over the art form of comics. It’s not just superhero creators, or just alternative comics creators. It’s both those, as well as manga, newspaper strips, underground comics, euro-comics, comics journalism and more.

This month’s subject is the Norwegian cartoonist simply known as Jason. This prolific creator tells funny genre mash-ups with a deadpan economy of dialogue and understated emotion with characters struggling over love and guilt. Next month, George Herriman will be featured. His classic comic strip Krazy Kat is among the most highly regarded in the history of comics.

The Comics College column debuted in August 2009 and has covered the following comics masters past and present (click on the link to be taken to the column):

  1. Los Bros. Hernandez (Love and Rockets)
  2. Jack Kirby (The Fantastic Four, Jack Kirby’s Fourth World)
  3. Osamu Tezuka (Astro Boy, Phoenix)
  4. R. Crumb (Zap Comix, Book of Genesis)
  5. Neil Gaiman (Sandman, Mr. Punch)
  6. Chris Ware (Jimmy Corrigan: The Smartest Kid on Earth, Acme Novelty Library)
  7. Lewis Trondheim (Dungeon, Little Nothings)
  8. Harvey Kurtzman (Mad Magazine, Frontline Combat)
  9. art spiegelman (Maus, In the Shadow of No Towers)
  10. Eddie Campbell (Alec: The Years Have Pants, The Fate of the Artist)
  11. Harvey Pekar (American Splendor, Our Cancer Year)
  12. Kim Deitch (The Boulevard of Broken Dreams, Shadowland)
  13. Kevin Huizenga (Ganges, Curses)
  14. Hergé (Tintin)
  15. Charles M. Schulz (Peanuts)
  16. John Stanley (Little Lulu, Melvin Monster)
  17. Seth (George Sprott: 1894-1975, Wimbledon Green, It’s A Good Life If You Don’t Weaken)
  18. Frank Miller (The Dark Knight Returns, Sin City)
  19. Joe Sacco (Safe Area Gorazde, Palestine)
  20. Jason (I Killed Adolf Hitler, Hey Wait…)
  21. George Herriman (Krazy Kat)
  22. Jack Cole (Plastic Man, Betsy and Me)
  23. Adrian Tomine (Summer Blonde, Scenes from an Impending Marriage)
  24. Grant Morrison (All-Star Superman, We3)
  25. Jessica Abel (La Perdida, Artbabe)

UPDATE: I’ll keep updating the list over at The Comics Observer as Robot 6 posts new entries.

New to Comics? New Comics For You! 8/5/09

Never read a graphic novel before? Haven’t read a comic book in years?

Here’s some brand new stuff that came out last week that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.

Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.

Frankenstein’s Womb – $6.99
By Warren Ellis & Marek Oleksicki
48 pages; published by Avatar Press; available at Amazon.com

1816 was called “The Year Without A Summer.” In the weird darkness of that July’s volcanic winter, Mary Wolfestonecraft Godwin began writing Frankenstein on the shore of Lake Geneva in Switzerland. But that is not where Frankenstein began. It began a few months earlier when, en route through Germany to Switzerland, Mary, her future husband Percy Shelley, and her stepsister Clair Clairmont approached a strange castle. Castle Frankenstein, some one hundred years earlier, had been home to Johann Conrad Dippel, whose experiments included the independent invention of nitroglycerin, a distillation of the elixir of life – and the transfer of a live soul into an awful accretion of human body parts! Mary never spoke of having entered the real Castle Frankenstein, stark on its hilltop south of Darmstadt. But she did. And she was never the same again – because something was haunting that tower, and Mary met it there.

Fear, death, and alchemy – the modern age is created here, in lost moments in a ruined castle on a day never recorded. The newest addition to Warren Ellis’ Apparat line of original graphic novels has arrived! Following up the huge successes of Crecy and Aetheric Mechanics, Ellis turns his spark of mad genius to bring us a fantastical tale in this all-new original graphic novel illustrated in atmospheric perfection by newcomer Marek Oleksicki.

Warren Ellis is kind of disturbed. In this case, it should be a good thing. Here’s a preview.

The Gigantic Robot – $16.95
By Tom Gauld
32 pages; published by Buenaventura Press; available at Amazon.com

“A perfect little book.” – Daniel Clowes
A wry fable concerning the production of an impressive secret weapon whose promise goes unfulfilled. Elegant, meticulous and concise in both word and drawing, Gauld’s signature style graces the pages of this silver-cover board book.

This 8.25 x 10.5 inch board book format is a bit unconventional but this looks too delightful to pass up. There are pictures of the book, interior pages, and other goodies to look at on Tom Gauld’s Flickr account. (I love the mock Google ads he does at the end.) You can also order this straight from the artist’s site, CabanonPress.com.

Abstract Comics: The Anthology – $39.99
Edited by Andrei Molotiu
232 pages; published by Fantagraphics Books; available at Amazon.com

Abstract comics? Don’t all comics tell stories? How can a comic be abstract? Well, as it happens, beginning with the experiments of Saul Steinberg, through some of the more psychedelic creations of R. Crumb and Victor Moscoso, and with increasing frequency in recent years, cartoonists and other artists have played with the possibility of comics whose panels contain little to no representational imagery, and which tell no stories other than those that result from the transformation and interaction of shapes across the layout of a comic page. Reduced to the most basic elements of comics — the panel grid, brushstrokes, and sometimes colors — abstract comics highlight the formal mechanisms that underlie all comics, such as the graphic dynamism that leads the eye (and the mind) from panel to panel or the aesthetically rich interplay between sequentiality and page layout.

Abstract Comics, edited by Andrei Molotiu, an art historian as well as one of the best-known contemporary abstract-comic creators, is the first collection devoted to this budding genre. It gathers the best abstract comics so far created, including early experiments in the form by cartoonists primarily known for other types of comics, such as Gary Panter, Patrick McDonnell, or Lewis Trondheim, and pieces by little-known pioneers such as Benoit Joly, Bill Boichel and Jeff Zenick, as well as by recent creators who have devoted a good part of their output to perfecting the form, such as Ibn al Rabin, Billy Mavreas, Mark Staff Brandl, and many others. It also features first attempts, commissioned specifically for this anthology, by well-known cartoonists such as James Kochalka, J.R. Williams and Warren Craghead. Comprehensive in scope, Abstract Comics gathers work not only from North America, but also from France, Switzerland, Great Britain, Australia, and New Zealand, showing the rise in popularity of the genre to be a true international phenomenon. In the process, the anthology highlights the wide variety of approaches taken to the combination of abstraction and sequential art — approaches resulting in work that is not only graphically bold, but also often proves to be surprisingly humorous or emotionally disturbing.

Complete list of contributors (in order of appearance): R. Crumb, Victor Moscoso, Spyros Horemis, Jeff Zenick, Bill Shut, Patrick McDonnell, Mark Badger, Benoit Joly, Bill Boichel, Gary Panter, Damien Jay, Ibn al Rabin, Lewis Trondheim, Andy Bleck, Mark Staff Brandl, Andrei Molotiu, Anders Pearson, Derik Badman, Grant Thomas, Casey Camp, Henrik Rehr, James Kochalka, John Hankiewicz, Mike Getsiv, J.R. Williams, Blaise Larmee, Warren Craghead III, Janusz Jaworski, Richard Hahn, Geoff Grogan, Panayiotis Terzis, Mark Gonyea, Greg Shaw, Alexey Sokolin, Jason Overby, Bruno Schaub, Draw, Jason T. Miles, Elijah Brubaker, Noah Berlatsky, Tim Gaze, troylloyd, Billy Mavreas

Even more unconventional and on the more avant-garde side of things. More proof that comics are truly an art form. They can be just as weird, surreal, absurd, artistic, expressive and transcendent as any other medium. Fantagraphics has put up a Flickr slideshow of pages from the book. They also have a 20-page preview (PDF). I dare you to try this.

Pax Romana – $14.99
By Jonathan Hickman
136 pages; published by Image Comics; available at Amazon.com

In 2045, as Islam has overrun Europe and the West openly shuns monotheism, the Vatican funded, CERN Laboratories ‘discover’ that time travel is possible. The Pope orders the creation of a private army, and led by a few handpicked Cardinals and the finest graduates of selected war colleges, they travel back in time to 312AD – the reign of the first Christian Emperor, Constantine. Upon arrival, conflicting agendas, ideological differences, and personal greed see grand plans unravel.

Pax Romana is the tale of 5,000 men sent on an impossible mission to change the past and save the future. At the end of the world, will they succeed, or will they fail? This politically driven sci-fi epic comes from the creator of the hit Nightly News! Collects the entire Pax Romana series with never-before-seen back matter!

“Back matter”? Ew, what’s that? Is it like back fat? No, back matter is a term that someone, I think Warren Ellis (the disturbed writer mentioned above), came up with to describe exclusive content semi-equivalent to DVD extras but for comic books. Anyway, this is significantly more conventional after Abstract Comics, so if you’re not into that, some time traveling sci-fi adventure is probably more your speed. Although Jonathan Hickman doesn’t usually take the easy way out. In fact, he might be a bit crazy, too. Fortunately crazy is pretty entertaining if you don’t have to live with it. Here’s a preview of the first four pages.

Kaleidoscope: A Mr. Toast Book – $10.00
By Dan Goodsell
64 pages; published by Imaginary World Comics; available at Amazon.com

Kaleidoscope is a visual tour of the World of Mr Toast. No story, just a potpourri of comics, photographs, watercolors and paintings. Inside you will find humor and fun with Mr Toast and his pals, Joe the Egg, Shaky Bacon and Clem Lemon. Great for kids and adults of all ages.

This looks absolutely adorable and hilarious all at once. At the publisher’s link above, you’ll find some preview pages, and you’ll also be able to buy it for a few dollars less. So simple as to be brilliant.

Kind of a bizarre mix of comics this week, but I like it. I hope you find something you like, too!