improv

The Drive Home

A little actor/improviser shop talk for you, in preparation for tonight’s show.

Reminder to self: Thinking of funnier/cleverer/betterer things I should’ve said on the drive home from a show or shoot is a waste of time.

This is fairly common among performers. I’ve done it plenty of times. I hear others talking about doing it themselves. It can feel like constructive analysis, and to a point it might be helpful for the future. But it’s very easy to get carried away and the truth of it is that it comes from a place of insecurity. Because this only happens when I feel like I wasn’t good enough.

Let me be clear, I’m not advocating blind self-congratulations devoid of the reality of how a show or shoot actually went. It’s important and helpful to look at choices made and see how they effected performances.

But when a funnier line pops into your head on the drive home, and your mind plays over and over how you should’ve said that line instead of what you actually said, that doesn’t really serve any purpose beyond heading to crazy town. For improvisation, when every show is completely different and the odds of the exact same situation presenting itself again is incredibly small, it’s basically a useless activity.

For example: OK, the next time I’m playing Hannibal Lecter who has to babysit a monkey’s carrot garden, when the baby carrots scream for more ice cream, I will say “I’ll make carrot cake out of you!” because it references that earlier scene about the carrot cake maker. Huh? That scene is never ever going to happen again! Why am I wasting my time dissecting it line by line? Unless I’m going to adapt it into something scripted like a sketch or short film, re-writing or punching up dialogue to something so temporary doesn’t help me become a stronger performer.

So how to shut off the loop in my head? Instead I focus on slightly broader questions. Was I listening? Was I open to the first opportunity to explore something potentially funny or interesting? Did I make strong choices? How were my characters? When did the laughs happen? Was I able to heighten or at least repeat what I was doing when laughs happened? This line of thinking is much more constructive as long as I answer honestly for myself.

If that doesn’t work, turn on the radio real loud and sing along even louder as a weird character with a strange but very specific voice – but make sure you get the words exactly right. Maybe you’ll find a new character you can use, and it breaks you out of that cyclical thinking. And maybe you’ll make the person in the next car laugh.

Let me know if you have any tricks for this. I’d love to hear them.

Laughter for Post-Election Blues

Depending on how today’s elections go, you might need to soothe the pain of loss. Or to celebrate the victories. Laughter is kind of a multi-purpose cure-all.

This Friday, I’m performing with the improv comedy group the Magic Meathands at the Westside Comedy Theater in Santa Monica! Following us will be the very funny Waterbrains and the theater’s own Mission IMPROVable. You can get in to see all 3 groups for just $10.

Click on the Hand o’ Meat for the Facebook event listing!

Time: Friday, November 5, 8:00pm – 11:00pm
Location: Westside Comedy Theater, 1323-A 3rd Street Promenade, Santa Monica, 90401
Price: $10.00

This Thursday with the Meathands – for the last time!

This week is my FINAL Thursday Night Comedy Cafe with the Magic Meathands. The Meathands are retiring the long-running show at the end of June, so see it before it’s gone forever!

For those that have never been, it’s live improvised comedy made up completely on the fly using audience suggestions. It’s tons of fun!

Details: June 17, 8 PM, The Spot Cafe, 4455 Overland Ave., Culver City, CA 90230. Tickets: $5.00.

Zzzzz…

Can’t blog…

Sleeping…

But I’ll see you tonight ready and rarin’ to go for the Magic Meathands show with Jump Start at Culver City’s The Spot Café!

Our monthly Family Friendly show starts at 8 PM and is only $7!

Your Brad Link of the Day – Iron Man movie had no script

This is amazing. One of the best modern superhero movies had no script, according to actor Jeff Bridges in this interview at InContention.com.

The 2008 hit Iron Man, starring Robert Downey, Jr. and Bridges apparently relied on the actors and director Jon Favreau improvising scenes out based on a plot outline.

“They had no script, man,” Bridges exclaims. “They had an outline. We would show up for big scenes every day and we wouldn’t know what we were going to say. We would have to go into our trailer and work on this scene and call up writers on the phone, ‘You got any ideas?’ Meanwhile the crew is tapping their foot on the stage waiting for us to come on.”

“You’ve got the suits from Marvel in the trailer with us saying, ‘No, you wouldn’t say that,’” Bridges remembers. “You would think with a $200 million movie you’d have the shit together, but it was just the opposite. And the reason for that is because they get ahead of themselves. They have a release date before the script, ‘Oh, we’ll have the script before that time,’ and they don’t have their shit together.

“Jon dealt with it so well,” Bridges continues. “It freaked me out. I was very anxious. I like to be prepared. I like to know my lines, man, that’s my school. Very prepared. That was very irritating, and then I just made this adjustment. It happens in movies a lot where something’s rubbing against your fur and it’s not feeling right, but it’s just the way it is. You can spend a lot of energy bitching about that or you can figure out how you’re going to do it, how you’re going to play this hand you’ve been dealt. What you can control is how you perceive things and your thinking about it. So I said, ‘Oh, what we’re doing here, we’re making a $200 million student film. We’re all just fuckin’ around! We’re playin’. Oh, great!’ That took all the pressure off. ‘Oh, just jam, man, just play.’ And it turned out great!”

Bridges says those “suits” keep telling him, “It’s just a comic book. Maybe we’ll bring you back.”

He also talked about it on his own site in his Making Iron Man photography book, which includes some great images of one of the “script sessions”.

As I said, we were lucky to have Jon as our director. His skill as a writer/improvisor was welcomed, indeed. While the story of Iron Man was pretty much in place, the actual scenes often had to be written on the day we shot them. Once the panic subsided, it was kind of fun, really – sort of like making a multi-million dollar student film. After all was said and done, I think we came up with some good stuff.

Yay! Improv saves the day! (Sorry for the not-so-stealthy plug.)

Now Hollywood, that doesn’t mean fire all of your screenwriters. This worked because fantastic actors and improvisers were able to pull it off by collaborating with a uniquely talented director who also had a knack for improvising. So, cool trick, but use with discretion.

What’s interesting is that this method of movie-making is eerily similar to the mythic “Marvel Method” of making comics in the 1960s. Marvel Comics’ primary writer and editor then was Stan Lee, who became so overwhelmed writing nearly every book put out by the publisher that he started to similarly jam with his better artists like Jack Kirby and Steve Ditko. According to legend (some of it still hotly debated today), Stan and the artist would talk out a story idea for an issue over the phone or in person. Stan would then write up a 1 to 2-page plot outline, which would be fleshed out and expanded into a full 23-page (sometimes more) comic book. Stan would then go back and fill in dialogue and narration captions. Eventually Stan got so overworked, and the process became so reliable, that Stan let his best artists turn in full issues of their own stories with plot cues written in to help Stan script. While this resulted in the wildly successful heyday of the Fantastic Four and Amazing Spider-Man comic books of the ’60s, this process led to a lot of intense debate and resentment over who should be credited (and receive royalties) for what.

Now looking back to today, IMDb lists Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway as the screenwriters for Iron Man. Did they just write the outline? I’d be curious to hear their version of this story.

(via io9)

Your Brad Link of the Day is provided to me by my friend Brad Beacom via Google’s Gmail chat. It may or may not actually occur on a daily basis. You may or may not have already seen it. (But in those instances, some classics are worth revisiting.) You may or may not find some enjoyment in it. Essentially, I take no responsibility for anything.

Improv show Saturday night!

For all you who can’t make my weekly Thursday night shows, this Saturday 8 PM is your chance!

The Magic Meathands (including me!) will be performing with some of the Meathand students. This is the last of the Student Medley shows for the year (and for some time to come) so don’t miss it!

And guess what? It’s completely, totally, utterly FREE!

The Spot Café & Lounge, 4455 Overland Ave., Culver City 90230

Featuring Me This Thursday

Quick reminder that I am one of the featured players for this Thursday’s Magic Meathands Comedy Cafe show at The Spot at 4455 Overland Ave. in Culver City. It’s at 8 PM. $5 will get you in the door.

There should be lots of laughs and silliness!

Year-end improv blow-out! This Thursday

It’s been a year of improv comedy and this Thursday, it’s the big improv-apalooza explosion to cap off the year.

Please stop by The Spot Café & Lounge to see me and the Magic Meathands this Thursday, December 11 at 8 PM. Tickets are $5.

Hope to see you there!

Playing with the big boys & girls

The Golden Hour Approacheth!

I’ll be performing with the main company of The Magic Meathands this Thursday at The Spot Café & Lounge in Culver City at 8 PM. Tickets are $5.

Over the last year I’ve been studying under this group’s director Bill Johnson. Some of you have been to the “student medley” shows on Saturdays once a month. This Thursday show will be among my first performances with this wonderful improv group as I (hopefully) transition into the main company.

Please come by and support me, so that they’ll be fooled into thinking I’m really funny.

Improving This Saturday

This Saturday is another round of improvised comedy with the Magic Meathands. It’s tons of fun and extremely affordable! Even rounding up, it’s still FREE!

Each month, this show gets more and more packed full of people, so I highly recommend arriving early. When? Where? Glad you asked!

8:00 PM at The Spot Café & Lounge in Culver City is where the hysterics will ensue. I hope to see you there!