Part three in my Year In Review on the LA comics scene. [Part 1, Part 2]
At this point, it’s hard to argue against the notion that digital comics are inevitable. They’re the future. The near future. For many, they are already the present thanks to various legally dubious means. Just as the music industry had a difficult transition accepting the reality, so too are comics publishers. Over the last year, North American comics publishers have been taking a casual to slow walk toward maybe actually embracing the way it is now. And even with tepid experimentation, there has been tremendous growth during a tough year for the print side. Manga publishers from both the East and West have been criticized for being even more reluctant, and plenty argue that shrinking sales are due to readers heading to pirating sites that translate and upload manga years ahead of official North American releases.
Fortunately over the last half year, the feet dragging is coming to an end for Los Angeles manga publisher Tokyopop.
First came the legal action. In early June, Tokyopop joined the Japanese Digital Comics Association with over 30 other manga publishers, both in America and in Japan, to fight digital piracy. This bold move was initially met with frustration among readers who read illegally translated and distributed manga, due to a lack of legitimate digital alternatives. But what has followed since has been a strong move to create just that. (more…)