Charlie Adlard

Occupy Wall Street and Comics: Documenting a Movement

Occupy Comics poster

Turn on the news or check online news sites, and you’re bound to see coverage of Occupy Wall Street, a series of demonstrations protesting corporate influence over our culture’s systems of government and finance. It’s essentially a reaction to what is perceived as class warfare perpetuated by a significant minority of powerful individuals and institutions (referred to as the 1%). (So much media coverage is focused on protracted confusion at the movement’s purpose, so in case you’d like to know more, Rolling Stone has an editorial by Matt Taibbi that gets into it deeper, and of course there’s always never-wrong Wikipedia.)

Whether you think the movement is just a bunch of lazy hippies or a crusade against big banks, it’s got people’s attention. Over 100 cities in the US have local versions of Occupy Wall Street, and more than 1500 have popped up in cities around the world. This has not gone unnoticed by the world of comics.

Occupy Comics is an anthology currently raising funds for the movement through a Kickstarter campaign. Coordinated by writer/director Matt Pizzolo (Godkiller), the comics will first be released as digital comics and individual comic book issues, and then collected and reprinted as a hard cover graphic novel. All creators and production staff have agreed to donate their salary to Occupy Wall Street to help pay for supplies during the winter months. An impressive line-up of comics creators have already committed to contribute, such as The Walking Dead‘s Charlie Adlard, 30 Days of Night‘s Steve Niles and Ben Templesmith, Joshua Hale Fialkov (Tumor, I, Vampire), and Dr. Sketchy’s Anti-Art School founder Molly Crabapple. From the Kickstarter page:

This book is intended to be a time capsule of the passions and emotions driving the movement. We are comic book & graphic novel artists and writers who’ve been inspired by the movement and hope to tell the stories of the people who are out there putting themselves at risk for an idea. What is that idea? Most of the media will tell you the idea is a vague and befuddled mess, but movements don’t coalesce around vague, befuddled messes. We hope that through the medium of comics we can share some of the ideas and experiences driving this movement.

All of the writers, artists, business executives, and the publisher are being paid to produce this book… and they ALL are donating 100% of their revenue (not profits, but ALL monies they receive) to the occupiers. They want to support the movement through the winter by providing warm clothes, heaters and bathrooms if possible, and other amenities.

One of the anthology’s contributors is Susie Cagle, a comics journalist who has provided non-fiction comics for McSweeney’s, Alternet, Truthout and other publications. She has been attending one of the west coast versions, Occupy Oakland. As a member of the press, she has a bright orange press badge visibly hanging from her neck. Despite this, she has twice been swept up in aggressive police action, once getting hit with tear gas, and once getting arrested along with other press and legal observers. Occupy Oakland has been one of the more unstable Occupy sites, perhaps most notably when Iraq War veteran Scott Olsen, a former Marine and member of Veterans for Peace, suffered a fractured skull when he was hit by a projectile apparently fired by the Oakland police. During Susie Cagle’s 15-hour detainment at two different jails, she witnessed mistreatment of arrested protesters by the Oakland police. She was charged with failure to leave the scene of a riot and was instructed not to return to the demonstrations until her December 5th hearing or she will be charged with a felony. She plans on returning to continue work on an illustrated history of Occupy Oakland.

Of course, not everyone is supportive of Occupy Wall Street. Frank Miller, once a vocal supporter of creator rights (he was among the first to join in an attempt by comics artists and writers to unionize in 1978) and unafraid to call out corporations on their greed and poor treatment of comics creators (Miller was a vocal supporter of Jack Kirby’s efforts to regain his original artwork from Marvel Comics). But after 9/11, he was was seemingly reborn as a devout supporter of the War on Terror above all other concerns. His most recent release, Holy Terror, is a wish-fulfillment of a Batman-esque superhero crushing the terrorist organization Al Qaeda and it has been met with criticisms of anti-Islamism. In response, Miller admitted that he knows “squat about Islam”, but this hasn’t stopped him from criticizing the entire religion and populace of the Middle East on terrorist extremism. So it isn’t entirely surprising that he posted to his website last week a rant against the Occupy Wall Street movement, stating that participants should instead enlist to help the War of Terror.

“Occupy” is nothing but a pack of louts, thieves, and rapists, an unruly mob, fed by Woodstock-era nostalgia and putrid false righteousness. These clowns can do nothing but harm America.

Speaking of nostalgia, that “harm America” argument is the same one used to discourage Vietnam War protesters and other Woodstock-era demonstrations, including the civil rights movement of the 1960s.

For a response to Miller’s statement in comics form, see this special edition of Ty Templeton’s Bun Toons web-comic, which observes that “it was an oddly out-of-touch moment to tie the ‘War on Terror’ to a clichéd list of old school anti-hippie slurs” to a rather pointed caricature of Miller.

Comic Book Movies and TV Shows for the Rest of 2011

Well the big summer blockbusters are all done. But that doesn’t mean comic books are done invading pop culture entertainment. I always think the source material is better, but checking out comic book adaptations, whether TV or film, can be a good way of sampling. Here’s what’s coming down the pike for the rest of 2011:

Piled Higher and Deeper: The PhD Movie – Live action comedy about graduate college.

The Walking Dead returns to AMC this October

The Walking Dead Season 2 – Live action horror TV series about a small group of survivors of a zombie apocalypse.

Batman: Year One – Animated feature-length movie about the noir-ish retelling of the early days of Bruce Wayne’s superhero career.

  • Schedule: Released on DVD, Blu-ray and for download on Tuesday, October 18.
  • Based on one of the seminal DC Comics graphic novels, Batman: Year One by writer Frank Miller and artist David Mazzucchelli. The story was originally published in Batman comic books in 1987.

X-Men Anime Series – Animated TV series imported from Japan featuring the mutant superheroes Cyclops, Wolverine and others fighting for a world that fears and hates them.

  • Schedule: 12 episodes starting Friday, October 21 at 11 PM Eastern on G4.
  • Based on various X-Men comic books and graphic novels published by Marvel Comics over the years but specifically narrowing in on New X-Men by writer Grant Morrison and various artists, as well as Astonishing X-Men by writer Joss Whedon and artist John Cassaday.

The Avengers: Earth’s Mightiest Heroes Season 2 – Animated TV series about Iron Man, Thor, Hulk, Captain America and their superhero friends fighting evil.

  • Schedule: 26 episodes starting on a Sunday in October at 10 AM Eastern and Pacific on Disney XD
  • Based on a whole slew of Avengers and other comic books by Stan Lee, Jack Kirby and others, as well as The Kree-Skrull War by writer Roy Thomas, artist Neal Adams and others, and Secret Invasion by writer Brian Michael Bendis and artist Leinil Francis Yu, published by Marvel Comics. Plus there’s definitely inspiration taken from the Iron Man movies.

The Adventures of Tintin: The Crab with the Golden Claws

Green Lantern: The Animated Series Season 1 – CGI animated series about a sci-fi superhero with cosmically powered jewelry.

  • Schedule: This was originally set to debut last week but now a preview is going to air this Fall, possibly in November, with the full 26-episode season to start in Spring 2012 on Cartoon Network.
  • Based on countless Green Lantern comics but more specifically this summer’s Green Lantern movie and recent Green Lantern comic books and graphic novels by writer Geoff Johns and others published by DC Comics.

The Adventures of Tintin: Secret of the Unicorn – CGI animated 3D feature film using performance capture technology. It’s about a plucky journalist and his dog going on a globe-trotting treasure hunt.

Did I miss any? Let me know in the comments or email and I’ll add them in.

My List of the 10 Favorite / Best / Most Significant Comics Works

Understanding Comics by Scott McCloud

Understanding Comics by Scott McCloud (the arrival of non-fiction graphic novels)

Yesterday morning, the Hooded Utilitarian posted my list along with 21 others who contributed to a giant survey of comic book creators, retailers, publishers, educators, commentators (like me) and other industry folk from all over the world to determine the 10 Best Comics. In total, 211 people responded.

I sent my list on June 15, in response to the question, “What are the ten comics works you consider your favorites, the best, or the most significant?” I started my email response to the Hooded Utilitarian with the following: “I want you to know, this is IMPOSSIBLE.”

And it is. But despite that…

My list:

Start clicking and see if something interests you.

There are plenty of comics that are just as good as the above that deserve to be listed, and even some that are better. But I had a few guidelines to help focus my list down to a manageable size.

First, I had to have actually read the material. Of the above, only Peanuts has material that I have never read. But I’ve read enough of it that what I haven’t read would have to be an absolute bomb for it to tarnish the goodwill. That means there was some material that I am fully expecting to love and that I love for its mere existence and concept that I had to leave out. I really wanted to include Carol Tyler’s You’ll Never Know on my list. It sits by my desk in my to-read pile from last year‘s Comic-Con.

Second, I leaned much heavier on the “most significant” portion of the question. As some have pointed out, the question asked by The Hooded Utilitarian is really three different questions which could result in three very different lists. Because what interests me is comics’ efforts to find new audiences, I interpreted “most significant” as the comics that have been most successful in winning over new readers. That was probably my biggest barometer. Each of the above have helped establish a genre or publishing strategy or level of skill that has expanded what comics can be and are today. In retrospect, I might’ve leaned a little too heavy on modern material but I think some of the most innovative and inclusive material is being made now (if you know where to find it).

OK, so let’s hear it. What did I miss?

(More random thoughts after the jump.)

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