Never read a graphic novel before? Haven’t read a comic book in years?
Here’s some brand new stuff that came out the week of November 4 that I think is worth a look-see for someone with little to no history with comics. That means you should be able to pick any of these up cold without having read anything else. So take a look and see if something doesn’t grab your fancy. If so, follow the publisher links or Amazon.com links to buy yourself a copy. Or, head to your local friendly comic book shop.
Disclaimer: For the most part, I have not read these yet, so I can’t vouch for their quality. But, from what I’ve heard and seen, odds are good they just might appeal to you.
The TOON Treasury of Classic Children’s Comics is an unprecedented collection of the greatest comics for children, artfully compiled by two of the best-known creators in publishing and the field of comics–Art Spiegelman and Francoise Mouly.
This treasury created for young readers focuses on comic books, not strips, and contains humorous stories that range from a single-page to eight or even twenty-two pages, each complete and self-contained. The comics have been culled from the Golden Age of comic books, roughly the 1940s through the early 1960s, and feature the best examples of works by such renowned artists and writers as Carl Barks, John Stanley, Sheldon Mayer, Walt Kelly, Basil Wolverton, and George Carlson, among many, many others.
Organizing the book into five categories (Hey, Kids!; Funny Animals; Fantasyland; Story Time!; and Wacky & Weird), Spiegelman and Mouly use their expertise in the area of comics to frame each category with an introductory essay, and provide brief biographies of the artists. The TOON Treasury of Classic Children’s Comics is essential reading for kids of all ages.
Great for kids, and the supplemental essays and historical context should make this entertaining for parents, too. The artists mentioned in the blurb were masters and are still huge influences to modern comic and graphic artists. And it’s sturdy enough for repeated reading. The publisher link above includes a great preview that shows just how charming and delightful this stuff will be to experience. Lots of fun!
Donald Duck and Friends #347 – $2.99
By Fausto Vitaliano & Andrea Freccero
32 pages; published by Boom! Kids
The Quack is back in this first BOOM! Kids issue! He’s no double “o” seven, he’s Double Duck! Donald shows us his dashing, adventurous side as a secret agent on a mission to stop a dangerous ice-melting machine and save the world from rising oceans! This is a Donald Duck like you’ve never seen! A brand new start at a brand new company for one of the world’s most iconic characters and longest-lived, most-published comic book series!
Speaking of those influential artists, you can pretty much draw a direct line from Carl Barks to this new issue (translated from the original Italian edition). Another great comic for kids. Here’s a 5-page preview.
Arthur Conan Doyle’s classic detective Sherlock Holmes returns in all-new adventures! Sherlock finds himself involved in a mystery that has him fighting for his very life and Watson putting the pieces together to either save his friend or condemn him! Written by Leah Moore and John Reppion with reverence and a modern edge, artist Aaron Campbell completes the Victorian mood under the striking and iconic John Cassaday covers. Also contains bonus material such as script pages, annotations, a cover gallery, and a complete Sherlock Holmes short story by Arthur Conan Doyle with new illustrations.
I’ve been looking forward to this. It’s supposed to be a pretty faithful take on Sherlock Holmes. There’s a 10-page preview at the publisher link above.
One man’s heartfelt and irreverent record of his time on this rock, Zak Sally’s unflinchingly veracious book, Like a Dog, is both direct and oblique, which we find rather miraculous considering the messy and murky waters of human experience it manages to navigate. Like a Dog is among the few comic book testimonials burdened by the yen to understand and articulate the mundane and the magnificent. Don’t be surprised if you find yourself laughing and crying as you claw your way through each hard fought page!
Of all of Sally’s creative pursuits (including a career in music spanning 15+ years), Like a Dog is the one he’s been working a lifetime toward. This hardcover book collects the best of his acclaimed short stories from the past 15 years, created in between band tours and recording sessions, published in his Eisner-nominated self-published seriesRecidivist (the first 2 issues of which are reprinted here in their entirety) and in publications like Mome, The Drama, Your Flesh, Dirty Stories, and more.
Like a Dog spotlights Sally’s uncanny ability to create emotional havoc out of claustrophobic images, situations and dialogue. Stories like “Don’t Move,” “The War Back Home,” and “Two Idiot Brothers” share little in common on the surface but are united by Sally’s forbidding style, creating a sense of dread that permeates almost every page.
Sally also turns his eye towards nonfiction in Like a Dog, including “At the Scaffold,” the story of the imprisonment and trial of Fyodor Dostoyevsky for allegedly subversive behavior, and “The Man Who Killed Wally Wood,” a story about Sally’s brush with a former publisher of the legendary comic artist (who, contrary to the title of this strip, took his own life after a long battle with alcoholism). It also includes two collaborations: “Dread,” written by NEA Fellowship recipient, Edgar Award finalist, and O. Henry Award winning author Brian Evenson (Altmann’s Tongue); and “River Deep, Mountain High,” co-created with fellow cartoonist Chris Cilla.
Like a Dog also includes extensive “liner notes” by the artist, previously unpublished material, an introduction by John Porcellino (King Cat), and other surprises.
I really loved Zak Sally’s Sammy The Mouse, so it sounds like I have a good reason to buy this. And so do you. To give you an idea of what’s in store, there’s a neat Flickr video of someone flipping through the book, which serves as a de facto preview of sorts, and there’s also a 10-page preview as a PDF file.
Stumptown #1 – $3.99
By Greg Rucka & Matthew Southworth
40 pages; published by Oni Press
Superstar writer Greg Rucka (WHITEOUT, DETECTIVE COMICS) embarks on his first creator-owned series since the Eisner Award-winning QUEEN & COUNTRY!
Dex is the proprietor of Stumptown Investigations, and a fairly talented P.I. Unfortunately, she’s less adept at throwing dice than solving cases. Her recent streak has left her beyond broke—she’s into the Confederated Tribes of the Wind Coast for 18 large. But maybe Dex’s luck is about to change. Sue-Lynne, head of the Wind Coast’s casino operation, will clear Dex’ debt if she can locate Sue-Lynne’s missing granddaughter. But is this job Dex’s way out of the hole or a shove down one much much deeper?
Burn – $9.99
By Camilla D’Errico & Scott Sanders
160 pages; published by Simon & Schuster’s Simon Pulse; available at Amazon.com
Burn was once human.
He also had a family and friends, until a metallic angel of death took everything from him. This mechanical monster, Shoftiel, was one of many living machines made to help humanity that revolted and declared war on their creators. It tore through Burn’s home and wreaked havoc on his city until the buildings collapsed, crashing down upon them.
Emerging from the rubble, Burn and Shoftiel discover their once separate bodies have become one — neither human nor machine, but a freak union of both. Internally their minds are caught in a raging battle for control. Just as mankind must struggle against the sentients for survival, Burn must find the strength to overcome Shoftiel’s genocidal programming to retain whatever’s left of his humanity.
Here’s a 5-page preview (you have to click through a bunch of “who cares” before you get to the actual story).